Matthew Rhys Quotes
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I love it when television is shot in a cinematic way and I think to aspire to that is no bad thing.
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I lost a dear friend of mine from a rugby injury at 26. We don't usually deal with mortality at that early age and it's given me an appreciation of time, of trying to fit everything in.
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Generally speaking, I'm a jeans, T-shirt and boots man but I do own an Armani suit, which gets a regular outing. It's nothing fancy - just a classic, well-cut suit with clean lines and beautiful tailoring. It's timeless and you can mix and match it with anything to dress up or dress down.
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I definitely want to go back to the theatre. It is hard work, it is repetitive, but it is intensely rewarding.
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At home I can become lazy and if a Welsh word is really long, I just replace it with English.
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I've suffered from an identity crisis my entire life. It's why I went into acting.
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We're sometimes treated like the stupid cousin, so I'm always drawn to characters that make you feel good about being Welsh.
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I absolutely loved my time at 'Brothers & Sisters,' what I learned and everything that went with it. It was an incredibly formative time for me.
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You play to whatever publication you're being interviewed by.
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I think the Cold War works as a great analogy or simile for different kinds of conflict. It's funny, when you look back at it, it's one of the last times that the boundaries were clear. Now, as we see on 'Homeland,' there are no clear boundaries and enemies.
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I would absolutely love to go back to the simplicity of the '80s, where there wasn't texting, social media, iPhones, or smartphones. I love the fact that you would go home and check your messages. I'm not well suited to the world of modern technology.
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I wasn't one of the cool kids by any stretch. I just bumbled along really.
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I've realised that nobody's going to die if I don't get it right and that there are a number of things out there, beyond acting, that are very interesting and fulfilling.
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It's weird how your perspective changes. At the start of your career, you think, 'I just want to do cutting-edge work that makes people think.' Now, I would do a blockbuster in a heartbeat.
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I'm 33 now and I seem to have hit a fitness plane. Shifting the wobbly bits isn't as easy as it used to be.
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I think my mother would be very happy if I found a nice Welsh girl.
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I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!
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I thought maybe I'd be a farmer. That was another silly notion. I think I'd last about five minutes, being a farmer.
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I was shocked by the amount of Welsh people in L.A. We'd go to this British pub to watch the 'Six Nations' early in the morning and I remember the first time I walked in it was just a sea of red.
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Well, it's a little harder in New York. It's not as forgiving to a film crew. You hold up a bunch of New Yorkers who can't cross the street, they're not going to take it well. Southern California? They'll wait. It's cool man. In New York, they're like, 'Are you kidding me? I gotta get to work.'
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I feel comfortable here primarily because I think Los Angeles is made up of people who don't come from here, so you can find kindred spirits very easily. It's a town of gypsies.
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Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.
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I got a lot out of 'Brothers & Sisters' and learnt some incredible things and I think it certainly had come to a natural ending, so it was definitely time to move on.
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I still dream about that one opportunity where the Welsh Rugby Union call me up and say, 'We need you.' There is an incredibly talented Welsh hooker called Matthew Rees, so maybe some incredible quirk of misfortune for him would mean I get called up instead.