Jean-Francois Lyotard Quotes
If we wish to discuss knowledge in the most highly developed contemporary society, we must answer the preliminary question of what methodological representation to apply to that society.
Quotes to Explore
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I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.
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I think I would encourage leaders to start working with communities in order to inoculate angry, young teenagers.
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I've got quite a good poker face. I'm known for being able to keep my emotions very much in check: no one knows how I'm feeling. I can be winning or losing but keep it very much the same.
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Privacy is big for me. To do interviews even, I have a very love/hate with it.
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I come from a generation that suffered school lessons in portacabins and crumbling hospitals. I tell you one thing, for the eighteen years they were in power the Tories did nothing to fix the roof when the sun was shining.
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When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
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Everyone wants me to be perfect, but I am so far from perfect!
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Chains of habit are too light to be felt until they are too heavy to be broken.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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I enjoy seeing new places.
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I have suffered as much as Martin Luther King. Only I didn't get the bullet. And I would have taken the bullet if I could have.
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The greatest benefit of being a solo performer is that it is seriously frightening, but at the same time very empowering. It's just you and the audience. All the weight is on you to deliver the songs.
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Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.
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I think it's harder than ever to be an artist. I think that you end up, especially as a middle-aged person, you pay such big consequences for saying, 'I'm just going to devote my life to making art,' or 'I'm going to devote my life to writing novels.' You end up with no resources.
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Sometimes some of these little side excursions are useful and I manage to fit them in the book somewhere.
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Whenever I do something, it is rooted in the Indian opportunity.
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I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
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Different people's houses smell like different weird things. God forbid someone should come and nail down what my house smells like. It'd probably be a litter box... sweaty socks... and burnt bacon. That probably is what it smells like.
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Our aim is to establish El Cartel as not just another tequila but part of the club and party lifestyle. There are several songs where I mention the brand name, and a lot of these party songs go hand in hand with the concept of Cartel Tequila.
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I always figured that I was one new editor away from unemployment.
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We don't need another Woody. Even Bob Dylan knew he couldn't be Woody Guthrie... I like Woody Guthrie fine, but I don't need the 50th generation version of it.
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After Big Media, U.S. colleges and universities are the biggest enemies of the values of red-state Americans.
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...if the music stops and there's only the sound of the rainAll the hope and glory - All the sacrifice in vain(And) If love remains, though everything is lostWe will pay the price, but we will not count the cost - Bravado (1991)
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If we wish to discuss knowledge in the most highly developed contemporary society, we must answer the preliminary question of what methodological representation to apply to that society.
