Brian Stokes Mitchell Quotes
I like to capture the spirit of what the writers intended but find my own nuances. That comes from jazz - the invention and freeness within a structure.

Quotes to Explore
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It's funny, because when I was in college, all my professors said, 'You should do comedy.' And I was like, 'No! No!' But I was able to get my foot in the door through comedy. I'm so grateful to have the opportunity to do it.
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I basically use Facebook and Twitter and MySpace to communicate with the fans. I don't think it's necessarily about advancing my career, but I do want to be able to connect with my fans. They are so important to me, and a lot of them have stuck with me since the very beginning, and that means so much to me.
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I loved what I did. I could've been secretary of state for ever.
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I like the fact that I can do stunts, but I don't think of myself as a stunt guy. Those guys are really good at what they do.
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I just sing. You have to use it.
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When you are 16 there is no fear whatsoever. As you get older you play in more important games and that is when you start thinking about what will happen if you win or lose.
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People are people, and I get a bit annoyed that the music business only focuses in on the big metropolises. I find that people that don't live in big cities are just as likely to enjoy music as people that do live in big cities.
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I think seeing some of the past can be helpful, especially if you're into crime solving.
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The only way to get love is to be lovable. It's very irritating if you have a lot of money. You'd like to think you could write a check: 'I'll buy a million dollars' worth of love.' But it doesn't work that way. The more you give love away, the more you get.
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I have worshipped woman as the living embodiment of the spirit of service and sacrifice.
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If you want my answer about Donald Trump, you can Google it. It's everywhere. They've got this new thing called Google.
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I think all artists need to try to improve, or their work gets stale.
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I'm a great believer in fate. I think things happen in spite of, and despite, yourself.
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My father was an artist. When life was harder and he couldn't get jobs, he painted houses, but he was artistic. When I went to see his work, it was special. Somewhere along the line, I felt I was special. I didn't know why.
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You know, I have said before, and I will say again, that when we started on this journey, we did so with an abiding faith in the American people and their ability, our ability, to join together and change the country in ways that would make life better for our kids and our grandkids.
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'As with all dwellings,' she said, 'of mortals and immortals both, it is the living that makes a house-not the doors, not the walls.'
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While he was climbing the litter-strewn steps his left ball gave a sharp twinge, on and off like a light-switch, then again after he had sat down. Nothing. Just one of the aches and pains that come and go. No significance.
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I don't get carried away by any praise; I know I have miles to go.
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My first mentor and inspiration was my Irish Dancing teacher Patricia Mulholland. She created her own form of dance known as Irish ballet and created stage productions of old Irish myths and legends. They were my first experiences on stage. She told my mum I was destined for the stage, and I took that as my cue.
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Making independent films is liberating. It eliminates self-censorship, which mainstream films are infected with due to commercial priorities.
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Legions of young hip-hop fans are as against this as hip-hop's most fierce critics. There is a huge underground movement within hip-hop circles that against these representation. You can hear this message on tons of lyrics and rap songs produced by independent emcees. But they are fighting against a well-oiled and well-financed machine.
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For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
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I like to capture the spirit of what the writers intended but find my own nuances. That comes from jazz - the invention and freeness within a structure.