Bridgit Mendler Quotes
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I've never gotten thick skin. If you close yourself off and you get this protective armor, there is a price you pay with that - of not feeling. And feeling is important when you are a songwriter.
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I feel like, for me, different environments are very important to me creatively. I think it's my norm to be on the move.
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If you want to do stuff, you have to be able to handle controversy.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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I don't like to practice; I like spontaneity. When I don't play guitar for a week and I pick it up again, I play better.
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Palestinian propagandists can say and do anything they please without concern for the truth, in the belief that if they repeat it often enough it will simply become the truth.
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Robots are good at things that are structured.
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I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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In sleep, you are safe from the revolting mechanics of living and being a prey to outrageous fortune.
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The Tao that can be told is not the eternal Tao; the name that can be named is not the eternal name. The Nameless is the origin of Heaven and Earth; the Named is the mother of all things.
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As an actor, you don't want to play a one-dimensional character.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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On what can we now place our hopes of solving the many riddles which still exist as to the origin and composition of cosmic rays? It must be emphasized here above all that to attain really decisive progress greater funds must be made available.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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We must oppose programs that would take food from the mouths of younger generations to buy prescription drugs for old people, and we must do it... for the children.
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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To the average mind popular music would mean compositions vulgarly conceived and commonplace in their treatment. That is absolutely false.
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I feel like a lot of funders of documentaries today want to fund films that have a social message that is going to yield results.
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I'm really passionate about music.
