Brie Larson (Brianne Sidonie Desaulniers) Quotes
The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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The cutting room is where you discover the optimal length of the movie.
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I don't think I could think of a single thing that's more isolating than being famous.
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For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney – client privilege, and that would hamper my ability to mount an effective case.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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All of my favorite people - people I really trust - none of them were cool in their younger years.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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Put not your trust in money, but put your money in trust.
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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The chief internal enemies of any state are those public officials who betray the trust imposed upon them by the people.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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The inner reality of love can be recognized only by love.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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We all make mistakes, and we all need second chances. For youth in foster care, these mistakes are often purposeful - if not consciously so; a way to test the strength of a bond and establish trust in a new parent.
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The Broken Bow group is such a great family and seem like a group of tight-knit people. When I looked for a new label, I wanted to feel I could trust everybody. I wanted motivation to be at an all-time high.
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Writers are so used to books being optioned and then the movie never happens.
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The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view.
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One thing about being famous is the people around you, you pay all their bills so they very rarely disagree with you because they want you to pick up the check.
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Competition brings out the best.
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I give a percentage of the earnings to the Motion Picture Home.
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The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
