Brie Larson (Brianne Sidonie Desaulniers) Quotes
The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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The cutting room is where you discover the optimal length of the movie.
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I don't think I could think of a single thing that's more isolating than being famous.
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For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney – client privilege, and that would hamper my ability to mount an effective case.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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All of my favorite people - people I really trust - none of them were cool in their younger years.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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Put not your trust in money, but put your money in trust.
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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The chief internal enemies of any state are those public officials who betray the trust imposed upon them by the people.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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The inner reality of love can be recognized only by love.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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We all make mistakes, and we all need second chances. For youth in foster care, these mistakes are often purposeful - if not consciously so; a way to test the strength of a bond and establish trust in a new parent.
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The Broken Bow group is such a great family and seem like a group of tight-knit people. When I looked for a new label, I wanted to feel I could trust everybody. I wanted motivation to be at an all-time high.
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I come from a theatrical background, where, if you're working on a movie or a play, you always respect the people you work with. You're accommodating.
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As a Middle Eastern male, when you're in a Chuck Norris movie of the week, you know you're going to die.
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I was one of those kids who had never seen an indie film before I got to college. If it wasn't a big, huge tentpole movie, or if it wasn't on the radio, I hadn't experienced it.
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A relationship can give you a gut wrenching feeling sometimes. It's a real emotional ride.
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When I look back at my childhood on the Ayrshire coast, I recall a basic devotion to the idea that human nature and national character are as unknowable as the weather's rationale.
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The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
