Brie Larson (Brianne Sidonie Desaulniers) Quotes
The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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The cutting room is where you discover the optimal length of the movie.
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I don't think I could think of a single thing that's more isolating than being famous.
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For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney – client privilege, and that would hamper my ability to mount an effective case.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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All of my favorite people - people I really trust - none of them were cool in their younger years.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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Put not your trust in money, but put your money in trust.
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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The chief internal enemies of any state are those public officials who betray the trust imposed upon them by the people.
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Trust me, I would love to have a wife and kids. I would very much enjoy that. But I also know that you have to be in the right place to do that.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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The inner reality of love can be recognized only by love.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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We all make mistakes, and we all need second chances. For youth in foster care, these mistakes are often purposeful - if not consciously so; a way to test the strength of a bond and establish trust in a new parent.
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The movie has called it closed. I'm not saying I won't ever listen to 'Les Miserables' again. But it closed the door for me. It's gone its own way.
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Unless there is an obvious reason to do otherwise, most of use passively accept decision problems as they are framed and therefore rarely have an opportunity to discover the extent to which our preferences are frame-bound rather than reality-bound.
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I didn't have the courage to let myself think or dream of acting because I come from Luxembourg - it's a very small country, and I think it's a place you need to get away from to see how big the world is and what's possible.
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Irish history having been forbidden in schools, has been, to a great extent, learned from Raftery's poems by the people of Mayo, where he was born, and of Galway, where he spent his later years.
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I ride a bicycle everywhere I go, the physical strength is obvious, but my mental strength and my capacity to love myself and to love others has definitely expanded. And that's the one thing I need the most in taking on a life of touring and a life of basically being with hundreds of people every day and not exhaust one's energy.
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The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
