Brie Larson (Brianne Sidonie Desaulniers) Quotes
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
Quotes to Explore
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If I had a big brother who was a year older than me or something, I probably wouldn't have ended up being a filmmaker.
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The conflict between religion and science is inherent and (very nearly) zero-sum. The success of science often comes at the expense of religious dogma; the maintenance of religious dogma always comes at the expense of science.
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I like to practise. With every new piece, you make mistakes and you learn. So it's important to get on and have another go.
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I'm so tired of stories starting, 'Maud Jones was walking her dog down Broadway.' You've got to go over to the back page somewhere to finally find out the damn dog was run over by a truck. Get the thing told, for heaven's sake. Everybody doesn't have to be an O. Henry.
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A great work is made out of a combination of obedience and liberty.
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I realized what interested me as a student of film was one thing and the movies that I liked were another.
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I'm an actress, not a pinup.
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If people get to the end of the record, then that is a treat.
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I think about death most of the day, every day. We can't escape death, and choosing to ignore it only makes it more scary.
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When you see results, you start to wonder, 'What would happen if I had oatmeal instead of sausage for breakfast?' You start to eat better because you feel better.
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Those most moved to tears by every word of a preacher are generally weak and a rascal when the feelings evaporate.
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I love fire. As a child I loved setting light to things. I'd always be in the forest putting matches to pieces of wood. I've always regarded fire as my friend.
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We need to build systems that can automatically figure out what's high quality and what's not, and encourage users to contribute high-quality content. There's a lot of technical challenges in that.
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I'm not really one of those people who believes that if you're a musician you can just leave that behind and start getting into politics.
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I am prepared to die, but there is no cause for which I am prepared to kill.
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Sometimes I see through things when people are talking. I'm really sensitive to other people, so I can tell if somebody's putting on a front.
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When you forgive somebody, it doesn't necessarily mean you want to invite them to your table.
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Of course, relative citation frequencies are no measure of relative importance. Who has not aspired to write a paper so fundamental that very soon it is known to everyone and cited by no one?
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If I'm doing a job, I'll give it 100%, and that job gets my absolute focus, and everything else goes to the side. Then, that job is finished, I'll concentrate on the next job.
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I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
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It was my effort, in depicting the West, to depict it as it was.
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I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
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I really enjoy working on adaptations.
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When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
