Jeanette Winterson Quotes
In the West, we avoid painful encounters with art by trivialising it, or by familiarising it. Our present obsession with the past has the double advantage of making new work seem raw and rough compared to the cosy patina of tradition, whilst refusing tradition its vital connection to what is happening now.
Quotes to Explore
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Men whose sense of taste is destroyed by sickness, sometimes think honey sour. A diseased eye does not see many things which do exist, and notes many things which do not exist. The same thing frequently takes place with regard to the force of words, when the critic is inferior to the writer.
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Homophobia is rampant in soccer, probably more so than in any other sport. I'm not sure why.
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I have an obsession with fashion - it's another form of expression for me - and I have a growing collection of vintage clothes and jewelry. Being able to play dress-up for my career has been a gift.
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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When I was a kid, I was super shy.
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I'm probably borderline OCD. I insist on having all objects at right angles to each other. So a fork has to be at a right angle to the knife on the table. The salt and pepper pots have to be placed close together. Only recently have I started to notice it's a weird way to behave.
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It's great to be able to continue my career in Chicago. Playing with the best organization in sports and the best fans in the game is a blessing.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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As anyone who has covered the company for any length of time knows, Yahoo's record on major decision-making has been akin to a hippie commune - a lot of wrangling internally in a culture where everyone seems to have a voice and a reticence to push the button to launch.
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I could probably name thousands of albums that I want.
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The man that got me into collecting sneakers in the first place was the man they call Michael Jordan. He was the one who kind of exposed me to the sneaker world - he was my favorite basketball player, and he had the best shoes.
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I think what probably happens when you put two awkward/clunky people together is that their awkward/clunky world seems like a normal world.
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I don't believe in God, but I'm afraid of Him.
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Writing is the supreme solace.
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The influence of teachers extends beyond the classroom, well into the future. It is they who shape and enrich the minds of the young, who touch their hearts and souls. It is they who shape a nation's future.
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Dan Henderson, even when you're close and he hits you from very, very close, you can feel how heavy his hands are. His hands are pretty powerful.
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A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
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There is one type of ideal woman very seldom described in poetry - the old maid, the woman whom sorrow or misfortune prevents from fulfilling her natural destiny.
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Was die Menschen unter den andern Bildungen der Erde, das sind die Künstler unter den Menschen.
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But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.
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I don't think the rating system places too much pressure on chefs. I prefer to put the pressure on my chefs to perform to the top standards.
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I like playing characters who are fractured, broken. I find that more relatable, for some reason. I don't feel that I'm like that myself by nature, but there's just something that you can really grab hold of if people have a darkness in them, I think.
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In the West, we avoid painful encounters with art by trivialising it, or by familiarising it. Our present obsession with the past has the double advantage of making new work seem raw and rough compared to the cosy patina of tradition, whilst refusing tradition its vital connection to what is happening now.
