Jeanne Tripplehorn Quotes
Quotes to Explore
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I much prefer doing comedy. I get a little paranoid when the audience is not laughing.
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I like the idea of the comedy of resilience.
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First off, no one award-wise ever rewards comedy, which is... whatever. I don't care about that.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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I had envisioned doing comedy since childhood. For sure.
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Comedy requires a lot of energy.
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I'm a student of comedy in general, so I've always loved Billy Crystal. But I'm a different type of showman. I'm a clown and a jester.
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It's much funnier when the comedy can happen with me just trying my best to genuinely do a good thing.
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I wanted to be less well-known in comedy.
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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Comedy was why I got into acting the first place. Peter Sellers was a huge influence on my wanting to act. I grew up with him and found him hysterical. The Pink Panther films were an inspiration, from my earliest childhood days, when I was watching them with my brother and my dad.
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My second or third year in the engineering department, I got very frustrated, and I sat down with myself and had a soul-searching conversation with myself and said, 'What I'd really like to do is see if I can write comedy.' ... I moved to L.A. stone cold. Didn't know anybody; didn't know how to go about it. Really started from scratch.
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I'll tell you one thing... no doubt about it, my favorite kind of comedy is talking head comedy. I mean, if it were up to me, I'd do a whole entire movie that was just around a dinner table.
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I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
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Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
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Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
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I try to be an ethical, moral person and a nice person, and I like to have that reflected in my comedy. I'm not a mean comedian, and I don't think that my comedy is mean. I think that for the most part, it's more focused on the diversity that we all handle and try to provide a distraction from the disaster of modern living.
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In school, I was playing old men and women, babies, Russian people, and all sorts of weird parts - a lot of comedy - and that's sort of like home to me.
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I would like to get back to making people laugh. Before drama school, I did nothing but comedy.
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The government has the right to change laws and rules and regulations.
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The color and the diversity dies out, and it gets whiter and whiter, and that's in any field. There is also this idea that there can only be one gay person or there can only be one Asian-American woman in the office, and so it also perpetuates itself where we are isolated, especially the more successful we get.
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I just wish the world was twice as big and half of it was still unexplored.
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I'd really been wanting to do a television series. I was looking for a comedy.
