Jeff Dunham Quotes
I'm a Macintosh nut. I got my PowerBook, so if I'm not writing jokes, I'm working on that.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
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Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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The ego being shattered is not what frightens me - that can be useful for writing - but the ego being inflated is sort of like it dying of gout.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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For me, there are no my people and strangers, no bad people and good people. All people are equal for me.
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Writing can be a very solitary profession, and when deadlines are looming, it's tempting to glue myself to my desk, but I try to make sure I get out a few times a month with friends just so I don't forget what it means to be social.
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Writing is a form of licensed madness.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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My writing has changed a lot. From 16 to 19, I've changed a lot. My kind of writing in the beginning was very observational; now it's grown very personal for me. I use it as a diary in many ways.
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I did a lot of my writing as though I was an academic, doing some piece of research as perfectly as possible.
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The most important thing about technology is that it can seamlessly work its way into your routine and your life.
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I come to sing for the people, not for the government. God made the sunshine for everyone and made the moon for everyone. We have to follow his example so we have to play music for everyone too. We have a message, and in order for our message to reach the people, we have to play.
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I want to make affordable shoes of quality that are very fashion forward, chic, and that I'm going to wear.
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Among the plausible niches for extraterrestrial life in our solar system, the clouds of Venus are among the most accessible and the least well explained.
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In my old age, I'll be in L.A.
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I'm a Macintosh nut. I got my PowerBook, so if I'm not writing jokes, I'm working on that.
