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I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.
Jeff Lemire
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I started in comics in 2005, ten years ago, and at that time, I didn't have a cell phone. I don't even think I had a computer myself, you know. And just in those ten years, how much technology has changed.
Jeff Lemire
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I've been reading comics since I was four. I used to get them when I would go grocery shopping with my mom. I remember getting the digest versions of old DC comics. The one that I remember reading first was Paul Levitz' 'Justice Society of America' stuff that he was doing in the '70s.
Jeff Lemire
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I don't enjoy putting my characters through hell unless there's a reason. I don't use violence or anything just for shock value. They're always a means to an end.
Jeff Lemire
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I feel like if you really know the ending right from the beginning, you can add so many subtleties and little things later that will pay off and be more consistent and more rewarding for the reader.
Jeff Lemire
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There's a lot of mystery just inherent in the story of 'Descender.' There's sort of a central mystery that runs throughout it.
Jeff Lemire
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There's been Hollywood interest in a lot of the stuff that I've done, but Descender's felt different right from the start for whatever reason. I don't know if that's because a lot of my other stuff's a little more idiosyncratic, and 'Descender' has a bit more of a high concept to it.
Jeff Lemire
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Everyone finds my work super sad. I never do. I always find it uplifting in a weird way.
Jeff Lemire
