Jeffrey Gitomer Quotes
I grew up in an upper-middle-class town with a population around 12,000. My high school held around a thousand kids. All smart. We had a strict dress code. If you wore blue jeans to school, they sent you home.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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Any art worthy of its name should address 'life', 'man', 'nature', 'death' and 'tragedy'.
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There was just a lot of comedy on the TV in the house, and my parents are both very funny.
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God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence.
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In a family of all girls, I was always the 'boy' in my mind - the protector, the masculine one. No one would ever have to worry about me.
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It is very lonely sometimes, trying to play God.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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We begin to change the world when we stimulate long-term prosperity using technology. There is not a problem that's large enough that innovation and entrepreneurship can't solve.
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We continue to blame the poor for their own condition. They are lazy. We do not want to know that the poorest of the poor are toddlers under three years of age.
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ISIS is at war with America, but America is not at war with ISIS - not the president, nor the Congress, and certainly not the American people.
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I normally don't endorse in Democratic primaries.
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My dad's a Jew, and my mom's a WASP, so that should pretty much say it all. It was a comically dysfunctional family.
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In Hollywood they're getting younger, but believe me, it's not the food. It's the plastic surgery.
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Are you really sure that a floor can't also be a ceiling?
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I've always had tremendous support from my parents. I think there's a myth that gay people have lousy relationships with their parents.
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I can't do choreographed movement. It has to come from my heart... and my pelvis.
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What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
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I know the pressures of being the daughter of a great actress. But it's inspiring. You learn so much that other people don't get to learn until later on. My father being a director, I learnt a real work ethic.
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I think there are only two kinds of heroes: the flamboyant ones and the angry-yet-silent types. Every character on TV falls into either category.
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I think more about the family now. That's an interesting progression for me.
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If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
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If you look at the heritage of the best advertising, you can make stuff that is great for both readers and advertisers. I don't think Don Draper would have loved banner ads.
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I got a phone call from Fearne Cotton. It was amazing! I literally couldn't believe it. It was so cool. It was the night before I was going on her show to sing on the 'Live Lounge.' She was so lovely.
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I grew up in an upper-middle-class town with a population around 12,000. My high school held around a thousand kids. All smart. We had a strict dress code. If you wore blue jeans to school, they sent you home.
