Sam Worthington Quotes
Quotes to Explore
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There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
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American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.
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People will say, 'Just one picture please.' That is how it starts. There is just one picture and then somebody else wants another. And when I say 'No' I feel guilty.
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I'll never totally get away from being who I am, which first, to many, is the daughter of Nat King Cole, which became even more intensified with the 'Unforgettable' album.
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The San Gabriel monument expands our natural heritage, but there is more in need of safeguarding - extraordinary places like Utah's Greater Canyonlands.
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Our nation was built by pioneers - pioneers who accepted untold risks in pursuit of freedom, not by pioneers seeking offshore profits at the expense of American workers here at home.
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I think 'Trial & Retribution' as a brand can go on forever. Its joy is that it has, to an extent, a formula, which gives a comfort routine for viewers. But we allow our directors total autarchy in putting their personalities on their stories.
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I think of my poems as personal and public at the same time. You could say they serve as psychological overlays. One fits on top of the other, and hopefully there's an ongoing evolution of clarity.
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In 1921, Harry Houdini started his own film company called - wait for it - the Houdini Picture Corporation.
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I'm a man without a corporation.
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I envy those old Greek bathers, into whose hands were delivered Pericles, and Alcibiades, and the perfect models of Phidias. They had daily before their eyes the highest types of Beauty which the world has ever produced; for of all things that are beautiful, the human body is the crown.
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I can't tell you that if you bring in a bunch of weird and different people, then a bunch of good things will happen. But I can tell you that if you hire a bunch of similar people and promote only the ones who are most similar, a bunch of bad things are likely to happen.
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Only when I came to America did I think of myself as British.
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It is not the crook in modern business that we fear, but the honest man who doesn't know what he is doing.
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Well, I certainly wouldn't want to live in the 18th century myself, or the 19th either, for that matter.
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I try to travel as much as I can... I'm always looking for a reason to.
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I think we give too much importance to artists talking about the art and the film and the books and the plays and the music - it's done; the material is there. But we talk about it because it's part of the game. I'm comfortable with it.
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It's important to understand the work that's being done, and to make sure it's actually helping. And sometimes, by working on it myself, I get a better grasp of the challenges and complexities of the task, and I'm able to talk about it better. That's why a balance of actual work and awareness is good, because they feed each other.
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I'm actually a huge fan of changing every single 'anti-Trump' sentiment to 'pro-human rights' because they are synonymous.
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We need to take vegetables out of the role of side dish, even in low-fat, vegetarian diets, whose calories are generally derived mainly from grains and other starches.
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I just want to work with the best people I can get my hands on.
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I've done a lot of roles where I'm the hero saving the planet.
