Jennifer Aniston Quotes
I was just always the girl that people would come and talk to about their problems, and I still am.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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If I can create some space that people haven't experienced before and if it stays with them or gives them a dream for the future, that's the kind of structure I seek to create.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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Today people who hold cash equivalents feel comfortable. They shouldn't. They have opted for a terrible long-term asset, one that pays virtually nothing and is certain to depreciate in value.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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I don't want to privatise part of the parliament, like some people in Russia.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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See, I believe that it is not true that different races and nations are alike. I'm profoundly convinced that that's a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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Traditional credentialing really doesn't have a lot of predictive value to if people will be successful.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski
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It's just cool for a girl to be able to do her own thing. I do a lot of movies, and I'm very lucky, and I'm not complaining. But in movies, alongside big action men, we've always got to take a step back and let the men shine.
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When you are suffering, you become more understanding about yourself, but also about other people's sufferings too. That's the first step to understand somebody is to understand their sufferings. So then love follows.
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I cherished the dream of a country embracing all its people.
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When you get bullied, you automatically think that you're the reason why you're getting bullied. The reality is, it's about them, not you... I'm all about blocking people. I'm all about saying, 'You know what, I don't need this in my life.'
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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I'm not one of those people who needs that gratification of doing, like, 10 films a year.
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It's awesome that you have a female CFO and a female GC, but if you look at the investing partners, and it's 15 dudes, I do think those people are going to get left behind if they don't get with where the world is going.
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Frankly, it was never practicable for the AG's office to receive a vast sum of money and then try to disperse that money to individual investors, ... Those individual investors will have to go through some sort of fact-finding process to demonstrate who relied on who and is owed how much.
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I need to make things mine. It annoys me to buy something that is imposed on me. When I have a suit made, I go to the Sicilian tailor Alessandro Martorana in Turin. I like shorter jacket sleeves and often fold the cuffs up. It's more modern that way.
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A script like 'Nightcrawler' gives me an opportunity to truly realize a vision that's mine, which is exciting.
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Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
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I was just always the girl that people would come and talk to about their problems, and I still am.
