Jennifer Granholm Quotes
For most of the 20th century, we didn't just enjoy economic success in Michigan, we defined it. Our innovators and entrepreneurs created the world's most productive companies, and our unions made sure that productivity led to broad middle class prosperity.
Quotes to Explore
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I want to be an animated character. I'm also doing more writing and directing.
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If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.
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I went back to Belfast and started a club, the Maritime. No one had thought about doing a blues club, so I was the first.
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In the beginning, I didn't dance that much and stuff.
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My work was entirely nonfiction.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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Having kids is something I want to see in my future - I hope.
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There is only one step from the sublime to the ridiculous.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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As a teenager you are at the last stage in your life when you will be happy to hear that the phone is for you.
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As a very young writer - kindergarten through about fifth grade - I most often wrote about black characters. My very early stories were science fiction and fantasy, with kids stowing away on spaceships and a girl named Tilly who was trying to get into the 'Guinness Book of World Records.'
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Operas elucidate, in a way sometimes absent in other theatrical productions, the very human fact that in every hero, there is a thread of duplicity. In every villain, there is another side to consider: We don't have to like him or her, but we are compelled to think about motivation.
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All of my main characters have been under 30.
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This is my trademark: I rip my T-shirt. I'm into the whole showing-a-bit-of-chest-hair thing.
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I never thought of being disadvantaged.
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I'm evangelical.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.
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You can judge a man's true character by the way he treats his fellow animals.
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If the abstract rights of man will bear discussion and explanation, those of women, by a parity of reasoning, will not shrink from the same test.
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The world in the '90s had seemed somewhat stable. There was talk of the end of history, a calm consensus around where we were all going. Consumer capitalism with some sort of social conscience. Then 9/11 happened, and that illusion was blown out of the water.
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Moments when the original 'poet' in each of us created the outside world for us, by finding the familiar in the unfamiliar, are perhaps forgotten by most people; or else they are guarded in some secret place of memory because they were too much like visitations by the gods to be mixed with everyday thinking.
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For most of the 20th century, we didn't just enjoy economic success in Michigan, we defined it. Our innovators and entrepreneurs created the world's most productive companies, and our unions made sure that productivity led to broad middle class prosperity.
