Jenny Lewis Quotes
Quotes to Explore
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The great thing about all my siblings is we all agree we had a horrendous childhood. It's not like it doesn't affect us now; it affects us every day, in everything we do.
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If you don't have liberty and self-determination, you've got nothing, that's what this is what this country is built on. And this is the ultimate self-determination, when you determine how and when you're going to die when you're suffering.
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We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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I want every day to be life for the living, not just traipsing through it existing. I'm just interested in life and the world and exploring.
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I was lucky to be with Johnny... he taught me a lot about fame.
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Mister Cee's a legend, man.
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We go after legacies because we just know that, sooner or later, people will understand what we bring to this culture and bring to the game.
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When someone has the desire to go to school and has the ability but can't get into our schools, that's wrong. Education drives the economy and the quality of life.
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I like seeing advanced acrobatics, but I also like to see more than tumbling. It's important to combine the artistry of gymnastics with the tough skills. It's called artistic gymnastics. We should stand by the name.
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'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
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I haven't gone to college yet and I intend to in a few years.
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Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
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I was born with an evil face.
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As women, I think it helps that we are complex creatures by nature so just being a woman helps to understand a woman's journey.
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I was walking around bored one day, and I started filming stuff with my cellphone. There are all these shows where people are trying to do these outrageous stunts, and I thought it would be funny to do all these stunts that aren't outrageous but then act like they are.
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I'm interested in complexity, in the mathematical sense, as well as the idiomatic sense. The idea of emergence - that it's possible for complex patterns to arise out of many simple interactions - is fascinating.
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I feel like we can't pick who we fall in love with because if we could, we would all make better choices. Your heart just falls where it falls.
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I'm still coping with my trauma, but coping by trying to find different ways to heal it rather than hide it.
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When in doubt, throw it out.
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With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.
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I find it hard to express myself when writing from the f - - - heart or the a - , or wherever. It's just like anything, it's (easier) when you get used to it, but I've not done it. I was just a singer in a band.
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Funnily enough, I was a big fan of the show and had been watching it - along with everybody else - and had never imagined that I would be on it. You kind of look at shows and think, 'Oh, I wish I had done that one.' But I didn't really see myself on 'True Blood.'
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I never envisioned myself as a solo artist; I was always part of a band.
