Jenny Offill Quotes
I think that when we're looking at things when we're right in the center of things, as opposed to being a bit unmoored from what's going on around us, we see things through a kind of dulling lens of convention, and there's something about extreme emotional experiences that gives us a heightened clarity, I think, of thought and of feeling.
Quotes to Explore
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A few weeks after my mom passed in November of 2013, I came back from an injury and entered the Egg Bowl in the second half against Ole Miss. I'll never forget the feeling when I walked back out on the field. As I walked into the Egg Bowl, the crowd stood up and clapped like they were enveloping me in a giant hug.
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In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.
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The feeling of friendship is like that of being comfortably filled with roast beef; love, like being enlivened with champagne.
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I must've been a bird in some previous lifetime. I feel like I'm called to flying - the convenience and the beauty of it. That feeling of soaring would be empowering.
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There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
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Malicious attacks on the Soviet Union produce a natural feeling of indignation.
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I don't remember feeling love.
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Lately I've been feeling like 50 percent of the great content I read comes from Twitter conversations.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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I really hated school. I had the feeling I was losing a lot of time.
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If you're on the varsity team, the responsibilities are a lot bigger and there's more stress, but you also walk around feeling probably like you can hold your head high.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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I've always been aware of my health - when you are having to go on stage and perform, you need to be feeling good - but when I was diagnosed with a life-threatening illness, I became really, really conscious of my health.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
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A man's brain has a more difficult time shifting from thinking to feeling than a women's brain does.
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I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
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Why ... do the myths of America the Hateful take such powerful hold? Because anti-Americanism provides a useful emotional function which goes beyond logic and reaches deep into the darker recesses of the European soul. In centuries past those on the Left who wished to personalise their hatred of capitalism, who sought to make it emotionally resonant by fastening an envious political passion on to a blameless scapegoat people, embraced anti-Semitism. It was the socialism of fools. Which is what anti-Americanism is now.
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Let me start by saying I wish no country had the need for an army. But in Israel, serving is part of being an Israeli. You've got to give back to the state. You give two or three years, and it's not about you. You give your freedom away. You learn discipline and respect.
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But the soul of touring and the heart of it is basically every day is like putting up a circus tent.
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If any of my plays outlive me or get on library book shelves and somehow stay read, all of a sudden it's a testament to "that's part of our culture, that's part of our history."
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I think that when we're looking at things when we're right in the center of things, as opposed to being a bit unmoored from what's going on around us, we see things through a kind of dulling lens of convention, and there's something about extreme emotional experiences that gives us a heightened clarity, I think, of thought and of feeling.
