Jenny Zhang Quotes
Growing up in America, I experienced two puberties. The first opened me up to the possibilities of adulthood. The second reinforced that for someone like me - an immigrant, a minority, an Asian-American - there were limits.
Quotes to Explore
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I started as a teenager going up on commercials.
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I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
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Export anything to a friendly country except American management.
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I had absolute freedom to create things on my own and in silence. No rush, the artificial rush by media. Certainly no rush to grow up. We had plenty of boyhood, plenty of girlhood.
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Nobody ever went broke underestimating the taste of the American public.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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The number of children is not growing any longer in the world. We are still debating peak oil, but we have definitely reached peak child.
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So my one kid's 4, my other kid's 4 months, I'm 44, Barack Obama is the 44th president - it's all lining up nicely here.
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I went 59.9 sec. when I was 18 and thought, 'Hmm, that was fast - let's see how much faster we can go and what the rest of the world can do to keep up.'
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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I've put up with more humiliation than I care to remember.
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I have laughter dates with myself, where I find comics on YouTube and watch them. Louis C.K. was my first laughter date a couple years ago. I'll also watch those videos of people doing idiotic things. That cracks me up.
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My mother's Mohawk and my father is Scottish/German from Nova Scotia.
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I feel that I've got the opportunity to set a great role model for girls to look up to a strong, active, compassionate, loving, positive woman, and I think it's so important.
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Doing the long lines - it looks easy when actresses do it: they just say it straight up, looks like they do nothing wrong, they just keep going, but it's not like that.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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Shops are not a growing business, so it's a scary place to be.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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I turned my hand to costume design a few years ago when I created the outfits for 'This Is the Sea,' with Richard Harris and Samantha Morton. It's a very different discipline to being a fashion designer, though - you have to rein in your own vision and work to a tight brief.
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Her sentences march under a harsh sun that bleaches color from them but bestows a peculiar, invigorating, Pascalian clarity.
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I am reconciled to my death, but I detest the mode.
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I don't mind doing action or kung fu, but I'm also really happy to do something dramatic. I'd like to show that a Chinese girl doesn't have to do crazy martial arts to get the part.
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Cocooning is about insulation and avoidance, peace and protection, coziness and control - a sort of hyper-nesting.
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Growing up in America, I experienced two puberties. The first opened me up to the possibilities of adulthood. The second reinforced that for someone like me - an immigrant, a minority, an Asian-American - there were limits.
