Jeremy Scott Quotes
When I design, I always pull from things that are significant to me. In my work, I search for happiness and then try to convey that joy in the clothes.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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Together with international unity and resolve we can meet the challenge of this global scourge and work to bring about an international law of zero tolerance for terrorism.
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I know theater can improve the quality of people's lives, and I know theater can heal. I've worked as a doctor clown in a hospital for two years. I have seen sick kids and sad parents and doctors be lifted and transported in moments of pure joy. I know theater unites us.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
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Hard work is not why I have been successful as a model.
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I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things.
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Messengers of Peace such as Midori - and our Goodwill Ambassadors, who work directly with the UN agencies - are dedicated and well-informed and credible advocates on behalf of the United Nations. They help us educate audiences worldwide and rally support on key issues of the United Nations.
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I want to know that I gave my 100 percent, and even if it doesn't work, you know that you gave everything, and you don't have to look at it and say... I could have gave more - that would break my heart.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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Quality is everyone's responsibility.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
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The search for a Jewish national home came about due to centuries of anti-Semitic pogroms, expulsions, discrimination and hate. The Holocaust was simply the evil culmination of all that came before it.
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The only important thing about design is how it relates to people.
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If I get a script that's set in the jungle it goes to the bottom of the pile because I don't think the playgrounds are going to be very good there! I'm really aware of how lucky I am but I have the kind of job where I can bring my child to work.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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After college, I wanted to learned about myself as an American, so I left the United States and went to Japan.
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God isn't dead - he's just missing in action.
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When I was a young man working 14 hour days, I traded using outrageous and terrifying leverage. I was either very lucky, very smart or very dumb. That’s what terrifies people about commodities. Commodities themselves are no riskier than stocks. A stock on margin has more risk than a commodity fully paid for. It’s all about the degree of leverage.
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I've been asked over the years to compile a list of desert-island discs. I couldn't do that. If I was trapped on a desert island, I don't think I'd want 10 songs to bring with me.
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'Diary of a Wimpy Kid' is my first book, and it's the fulfillment of a life-long dream. I had always wanted to be a cartoonist, but I found that it was very tough to break into the world of newspaper syndication. So I started playing with a style that mixed cartoons and 'traditional' writing, and that's how 'Diary of a Wimpy Kid' was born.
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When I design, I always pull from things that are significant to me. In my work, I search for happiness and then try to convey that joy in the clothes.
