Jeremy Scott Quotes
I think because of the eccentricity of my work and how I dress, people expect me to be bouncing off the walls. But that's just not how I am.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Five to six thousand people die every year waiting for organs, but nobody cares.
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I like to work all the time and really immerse myself in the project.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
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I don't have lavish taste.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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I would not run for president. I really like what I'm doing now. People say I'm giving them energy and hope.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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To be honest, accents are one of those things for me, personally, that usually come quite naturally by just listening to the people.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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The two great aims of industrialism - replacement of people by technology and concentration of wealth into the hands of a small plutocracy - seem close to fulfillment.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I can make the argument that people who don't have the biggest ranges but have very unique voices, even if they may be pitchy at times... with the right record that's really unique and distinct, they can have big hits.
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Square meals often make round people.
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I practice yoga at home to a TV show called 'Inhale,' taught by Steve Ross. I figured that if the people on the show could stretch that deep then I could too. I ended up pulling my hip flexor. But that's how I met my husband. Paul was the physical therapist my coach called to meet with me after hours.
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We lived out in the middle of nowhere - the most random places - because of my father's work. We spent a lot of time in the car on long drives, just to get anywhere. We listened to oldies rock on the car radio, and the most-played group on oldies rock radio is the Beatles.
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Television moves so fast. A series moves at such a rapid pace and things are changing, episode to episode, where you're going, "Wait, why am I doing this? This last episode, you told me I was doing this." You're shooting at a moving target.
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On one hand, my gender has never been an issue. The issue has always been what's on the page. But the reality is, an awful lot of women fought an awful lot of battles to get me to that place.
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My baby does the hanky panky.
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I think because of the eccentricity of my work and how I dress, people expect me to be bouncing off the walls. But that's just not how I am.
