Jeremy Scott Quotes
I think because of the eccentricity of my work and how I dress, people expect me to be bouncing off the walls. But that's just not how I am.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Five to six thousand people die every year waiting for organs, but nobody cares.
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I like to work all the time and really immerse myself in the project.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
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I don't have lavish taste.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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I would not run for president. I really like what I'm doing now. People say I'm giving them energy and hope.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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To be honest, accents are one of those things for me, personally, that usually come quite naturally by just listening to the people.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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The two great aims of industrialism - replacement of people by technology and concentration of wealth into the hands of a small plutocracy - seem close to fulfillment.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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I was having a lot of people ask me to update 'The Shock Doctrine' and add a chapter about Trump.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I can make the argument that people who don't have the biggest ranges but have very unique voices, even if they may be pitchy at times... with the right record that's really unique and distinct, they can have big hits.
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I know some of those 'Glee' people, and they can really sing! I wish we could hear them live, because I know some of them and they can really sing like nobody's business.
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I wouldn't want to go out six nights a week and watch somebody's reserves playing to check out a footballer to see if we're going to buy him.
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Filming is about continuing to be alert and to think, and I find it quite exhausting.
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That's the great thing about today, having smartphones to stay in touch and share experiences. Knowing that whilst there may be thousands of miles between you, it's almost like they're there. That's the coolest thing, and that's how I stay in touch with the people that are important to me.
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He is not worthy of the honey-comb, that shuns the hives because the bees have stings.
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I think because of the eccentricity of my work and how I dress, people expect me to be bouncing off the walls. But that's just not how I am.
