Jeremy Scott Quotes
I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, 'This is cute!'
Quotes to Explore
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As with the onset of sudden celebrity, for the newly rich, the world often becomes a darker, narrower, less generous place; a paradox that elicits scant sympathy, but is nonetheless true.
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Prior to the Civil War, most libraries were either privately owned or housed in universities or churches.
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I'm a Canadian. Outside Canada I carry the flag. Canadian nationalism isn't as insidious as American nationalism, though. It's good natured. It's all about maple syrup, not war.
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I think I would like to have lived in the 1930s and worn beautiful bias cut dresses all the time.
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I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
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Be skeptical of concepts that divorce war from its political nature, particularly those that promise fast, cheap victory through technology.
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I became a dancer late and an actor late.
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I'm not as thrilled with myself as I used to be.
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As a boy, I wanted to be the Peruvian Diego Maradona. Sadly, Peru hasn't made the World Cup since 1982, so I guess I did well to choose something different.
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I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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It's a shallow life that doesn't give a person a few scars.
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A person can't have everything in this world; and it was a little unreasonable of her to expect it.
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In my life, there have always been people who guided my path, towards the school, towards this company. I didn't know about any of it. I didn't have a plan. It's good fortune and generosity from other people that have given me all I have today.
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People work hard.
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'Power Play' is a morality tale for our post-Enron world and - not incidentally - wildly entertaining. Nothing wrong with that.
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I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
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Well, the average person comes home from work really tired, and just wants to flip through channels until they land on the thing that's the least objectionable to them. They're not looking for their new favorite TV show because they know that that search will take forever and they'll go to bed unhappy.
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I don't think if you asked any of my childhood friends they would say that I had a weird childhood; they might say there weren't a lot of regular rules, the conversations in the house were always very open, dreams were a great thing to talk about, everybody was making something all the time.
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I had accumulated some capital and was at an age at which I was interested in generating income. But even though I was risk averse, I was interested in growth stocks.
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Only responsible human beings can exist in an anarchistic society.
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Symbolism is alright in 'fiction,' but I tell true life stories simply about what happened to people I knew.
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Late afternoon on the West Coast ends with the sky doing all its brilliant stuff.
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I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, 'This is cute!'
