Jerry Heller Quotes
I've probably represented almost every major artist in the world, either directly or peripherally, at one time or another.
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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Music is art, and once you become an artist, you need to learn how to accept criticism.
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French 'Vogue' was always a photographer's magazine.
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If you give what can be taken, you are not really giving. Take what you are given, not what you want to be given. Give what cannot be taken.
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A woman going out with a younger man feels like the last taboo.
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Vox populi vox dei: the voice of the people is the voice of God. The slogan was useful for those who first attempted to substitute the people for God as the source of political authority. Their attempt was ultimately so successful that God no longer seems to be needed in government.
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The life of an actor is never one to get comfortable.
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I don't have business with any politicians.
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I'm a self-taught musician aside from what I've been able to pick up from other players.
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The system of nature, of which man is a part, tends to be self-balancing, self-adjusting, self-cleansing. Not so with technology.
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Modeling has always played off my D.J.-ing, but it is a fun supplement.
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Music has always been an important thing to me in my life and understand I've worked in the music business.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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It's a very hard and competitive business in which you have to fight every day in order to impose yourself.
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There was a point when comics were considered to be mainly of interest to kids, and it was decided that kids could relate more to someone their own age than an adult. So suddenly all these previously grownup comics were lousy with sidekicks: Aquagirl, Aqualad, Robin, Kid Flash, Speedy, Stripesy... the list goes on.
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My dream is to be on my boat. Or on an island. Or in my house in the country. That's my dream.
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I think you can have a ridiculously enormous and complex data set, but if you have the right tools and methodology then it's not a problem.
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As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
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If a hit came along, I wouldn't be unhappy about that. But I'm a bit too old for that now-doing videos and all those types of TV shows. I've kind of done all that, in the '70s.
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Once I started reinventing for myself what being an artist was - not going into a studio, but making things on my own terms in response to being out in the world - I started to really enjoy it... I realized that everything else for me was hell.
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I've probably represented almost every major artist in the world, either directly or peripherally, at one time or another.
