Jerry Saltz Quotes
Can space break? I mean the space of art galleries. Over the past 100 years, art galleries have gone from looking like Beaux Arts salons to simple storefronts to industrial lofts to the gleaming giant white cubes of Chelsea with their shiny concrete floors.
Quotes to Explore
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You can never plan the future by the past.
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I find great beauty in songs with a creative interpretation, but most people generally don't get that, and go for the simple songs, but I prefer something a bit more complicated, which is more meaningful to the creator.
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I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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Besides black art, there is only automation and mechanization.
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There is nothing, Sir, too little for so little a creature as man. It is by studying little things that we attain the great art of having as little misery and as much happiness as possible.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I don't think that women being seen as inferior is a prejudice based on male hatred of women. When you look at history, it's a prejudice based on simple fact.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I never felt the need to introduce all the obstacles in my past when I say, 'Hello, my name is Nate.' But at the same time, I've never hidden from it.
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The terrifying and edible beauty of Art Nouveau architecture.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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It takes leadership to improve safety. And I started off the movement in my time, but the person who has done more over the past 20 to 30 years and who has led it is Professor Sid Watkins.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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Environmental quality was drastically improved while economic activity grew by the simple expedient of removing lead from gasoline - which prevented it from entering the environment.
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A broad trend I'm completely obsessed with is mobile commerce. Like completely. I'm completely convinced that everybody's going to be buying from their mobile devices. Whoever can claim that space or be in that space, I'm very interested in.
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The keynote of simple folk is bad manners, familiarity. They intrude on one's private soul.
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The art of storytelling is in development, not fact sheets. There are posts you have to hammer into the ground from the start just to get going, but if they don't hold up the house you build, you can change them or take them out.
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I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
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I'm using my art to comment on what I see. You don't have to agree with it.
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I'm aware that people enjoy creating categories that make it easier to digest pop culture or the media or entertainment or whatever. But I really have too much to do to fit into any easy category.
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We've spent now about 150 years trying to convince ourselves that photographs are reliable evidence, some unimpeachable slice of the real world. That was a myth from the very beginning.
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Can space break? I mean the space of art galleries. Over the past 100 years, art galleries have gone from looking like Beaux Arts salons to simple storefronts to industrial lofts to the gleaming giant white cubes of Chelsea with their shiny concrete floors.
