Jerry Saltz Quotes
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Quotes to Explore
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I think my message goes out to the entire spectrum of political parties. I'm supported by the Tea Party, the Conservative Party and the Republican Party. I come from a Democratic world. My world is moderate Democrats, Reagan-type Democrats if you want, the blues or whatever you call them, the Blue Dogs. That's been my world, historically.
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I love a real-life, movie moment in living color.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
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Weirdly, my nickname was Lady. I didn't get Stretch, or Stilts, or Spider Legs - I got Lady. I guess I was always a bit ladylike.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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The world is all gates, all opportunities, strings of tension waiting to be struck.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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I watch vlogs on YouTube. I watch Jenna Marbles a lot - I think she's really funny - and a lady called Daily Grace.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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See, the SAG awards caught me totally by surprise.
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I want to live my life naked, with all my little naked kids naked in the garden.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I think increasingly we want to read the history that wasn't written by the victors.
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It's more fun if you can control things like lighting and make special effects in the darkroom.
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That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
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I did not send nor receive anything that was classified at the time.
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One thing that took a while to really adjust to was, you do it for the the art, for the money, for being together and having a good time, but you do it for all those people out there who really care about the show. We are now talking about a show we did over 20 years ago.
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I'm French. I have not become an Englishman. I have the impression of living on an island called Arsenal. If you fancy a sightseeing tour of London, don't ask me. You would get lost.
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The most interesting thing to me in chess are not the gambits. Or the moves. It's the mental toughness.
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I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
