Jerry Saltz Quotes
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Quotes to Explore
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I think my message goes out to the entire spectrum of political parties. I'm supported by the Tea Party, the Conservative Party and the Republican Party. I come from a Democratic world. My world is moderate Democrats, Reagan-type Democrats if you want, the blues or whatever you call them, the Blue Dogs. That's been my world, historically.
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I love a real-life, movie moment in living color.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
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Weirdly, my nickname was Lady. I didn't get Stretch, or Stilts, or Spider Legs - I got Lady. I guess I was always a bit ladylike.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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The world is all gates, all opportunities, strings of tension waiting to be struck.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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I watch vlogs on YouTube. I watch Jenna Marbles a lot - I think she's really funny - and a lady called Daily Grace.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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See, the SAG awards caught me totally by surprise.
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I want to live my life naked, with all my little naked kids naked in the garden.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I think increasingly we want to read the history that wasn't written by the victors.
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It's more fun if you can control things like lighting and make special effects in the darkroom.
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That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
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If ballots won't work, bullets will.
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I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
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I've always been quite driven. I take after my father.
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New York is more where art is bought than where art is made.
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If we allow public funds to be used to support our relatively benign, morally grounded schools, we will have to allow those public funds to be used for any type of private school.
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I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
