Jerry Saltz Quotes
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Quotes to Explore
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I think my message goes out to the entire spectrum of political parties. I'm supported by the Tea Party, the Conservative Party and the Republican Party. I come from a Democratic world. My world is moderate Democrats, Reagan-type Democrats if you want, the blues or whatever you call them, the Blue Dogs. That's been my world, historically.
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I love a real-life, movie moment in living color.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
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Weirdly, my nickname was Lady. I didn't get Stretch, or Stilts, or Spider Legs - I got Lady. I guess I was always a bit ladylike.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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The world is all gates, all opportunities, strings of tension waiting to be struck.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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I watch vlogs on YouTube. I watch Jenna Marbles a lot - I think she's really funny - and a lady called Daily Grace.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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See, the SAG awards caught me totally by surprise.
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I want to live my life naked, with all my little naked kids naked in the garden.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I think increasingly we want to read the history that wasn't written by the victors.
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It's more fun if you can control things like lighting and make special effects in the darkroom.
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That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
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Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
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If you're a photographer, you end up being the raw creative force that allows other people to see what kind of narrative you want to be giving or what kind of art that you want people to see.
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There's a big focus in the security industry on incredibly sophisticated attacks and on very sophisticated threat actors.
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Inasmuch as there is a useful purpose to what we do as VCs, I tend to think it's our duty not only to mentor entrepreneurs and executive teams, but also to learn from them and the others involved. We can then pass on lessons to aid the startup ecosystem and help businesses succeed and grow their impact.
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I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
