Jerry Saltz Quotes
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
Quotes to Explore
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Never speak to an invalid from behind, nor from the door, nor from any distance from him, nor when he is doing anything. The official politeness of servants in these things is so grateful to invalids, that many prefer, without knowing why, having none but servants about them.
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Inside every adult male is a denied little boy.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.
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I just respect Kanye as an artist.
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Everybody sooner or later has to drop the luggage and the baggage of illusions.
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Control of a company does not carry with it the ability to control the price of its stock.
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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I did as much research as I could and I took ownership of this illness, because if you don't take care of your body, where are you going to live?
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I've never been jealous. I've never had to be.
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Looking at the way the game is played, I'm envious of the conditions. We played on some ropey World Cup surfaces. I genuinely never look back and wish I earned the money they do today, but I do think of that element.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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Before I do a stunt, I have to make sure it is safe.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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I take my work seriously, but I don't necessarily take myself seriously.
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Remember, either you control your money or it will control you.
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I don't know what 'famous' is, really.
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If you can be well without health, you may be happy without virtue.
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I never have a problem with the weight cut. My number one enemy is injuries because I train so hard.
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You can understand a lot about yourself by working out which fairytale you use to present your world to yourself in.
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You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good, I am happy and I say: 'This is beautiful.' That is Architecture. Art enters in.
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I was 13 when I developed the classic symptoms of a person who gets diabetes: a lot of weight loss, a tremendous thirst, and blurry eyesight. My mom took me to the hospital, and the doctors took some blood tests. My blood sugar was so high that they knew right away.
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The last thing I'd learn, well into my career, was how to get on, how to say hello, how to get in with the audience.
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When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
