Jessamyn West Quotes
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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All autobiography is storytelling; all writing is autobiography.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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When I'm writing, I spend all my time in The Grocer on Elgin buying ready-made meals; I think they are the only reason my husband and kids haven't left me.
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The writing that feels the best to me, I experience sometimes, is a kind of weirdly deep listening - like, it feels like if you just listen hard enough, the next sentence will tell you what it needs to be.
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The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.
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I have some great stories and I will get around to writing a book.
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Writing is a very lonely occupation. To write you need to concentrate, to concentrate you need to lock yourself away. No distractions; you want your stream of thought uninterrupted.
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And those Texas sunsets... I work a lot in Africa: Texas and Africa have the best sunsets on the planet, that I've ever seen.
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Writing seems to rob me of my being: it is a second hand mode of communication, a pallid, mechanical transcript of speech, and so always at one remove from my consciousness.
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When Kennedy could not get the civil rights bill passed - and he was the big liberal - Lyndon Johnson came in and it got passed, and he was the conservative and the southerner. So sometimes in politics, to get something done, it takes a special kind of knowledge and a special kind of person, but it doesn't always follow the party lines.
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If you think you've already made it, that's when you can fall short and go backwards. I'm constantly pushing forward and chasing the element of perfection.
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The Refusal of the Keys: it seemed like something from mythology, from medieval legend.
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Talent is helpful in writing, but guts are absolutely necessary.
