Jesse L. Martin Quotes
Quotes to Explore
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I am a hopeless romantic and I love to spoil my girlfriends.
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Valentine's Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.
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That's all gone, now, the old, Hollywood.
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Classic romantic love is an emotional attraction between two individuals in which they may share a heightened awareness of mutual adoration. Erotic love, traditionally, has been described as shared sexual attraction.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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And I think maybe all women, if they just had a chance, would be romantic and believe in love and not sex. And men believe in sex and not love.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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I always think the most romantic books or films are the ones where the romance doesn't happen, because it makes your heart ache so much watching it.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
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All that we see or seem is but a dream within a dream.
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I don't know if it's possible to live the rock 'n roll lifestyle and still be romantic.
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I am such a diehard romantic. I guess a part of me thinks I am Juliet.
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When you start off acting, it does seem very romantic, and the make-believe part of it all seems very exciting. It's only later that you begin to realize how fascinating the work is - that it's a bottomless pit, and you never get to the end of it.
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The '60s is one of my favourite eras in general. I love '60s music, and I've always wanted to do a period film.
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I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
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Coach Lue always amazed me. I'm like, 'How do you have this much joy coming out of life? You have money, but you don't drink; you don't smoke. All you do is hoop, and you live on a natural high.' But now I know.
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I have always emphasized the willingness to discard.
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He could play the guitar just like ringing a bell.
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I cannot too often repeat that Democracy is a word the real gist of which still sleeps, quite unawakened, notwithstanding the resonance and the many angry tempests out of which its syllables have come, from pen or tongue. It is a great word, whose history, I suppose, remains unwritten because that history has yet to be enacted.
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Whatever we understand and enjoy in human products instantly becomes ours, wherever they might have their origin... Let me feel with unalloyed gladness that all the great glories of man are mine.
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I'm romantic to the point of embarrassment.
