Jesse L. Martin Quotes
Quotes to Explore
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I am a hopeless romantic and I love to spoil my girlfriends.
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Valentine's Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.
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That's all gone, now, the old, Hollywood.
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Classic romantic love is an emotional attraction between two individuals in which they may share a heightened awareness of mutual adoration. Erotic love, traditionally, has been described as shared sexual attraction.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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And I think maybe all women, if they just had a chance, would be romantic and believe in love and not sex. And men believe in sex and not love.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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I always think the most romantic books or films are the ones where the romance doesn't happen, because it makes your heart ache so much watching it.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
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All that we see or seem is but a dream within a dream.
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I don't know if it's possible to live the rock 'n roll lifestyle and still be romantic.
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I am such a diehard romantic. I guess a part of me thinks I am Juliet.
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When you start off acting, it does seem very romantic, and the make-believe part of it all seems very exciting. It's only later that you begin to realize how fascinating the work is - that it's a bottomless pit, and you never get to the end of it.
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The '60s is one of my favourite eras in general. I love '60s music, and I've always wanted to do a period film.
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I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
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I don't like to hurry. I'm not a conductor of the fast, fiery romantic type. I prefer Bruckner, with the sincerity of his musical language and the huge time spans in which his ideas develop, to Mahler, with his hysteria and self-indulgence.
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Morality, if present, should not be relied on because it will be trumped by self interest in most circumstances.
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I love the Spider-Man story. I watched the cartoon on TV when I was a kid, and my brother wore his Spider-Man pyjamas everywhere.
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An excellent man; he has no enemies; and none of his friends like him.
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I've been through geopolitical and economic cycles.
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I'm romantic to the point of embarrassment.
