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One of my goals is to play a villain in a Bond film. People ask me if I want to be a Bond girl, and I say, 'No, I want to be the villain.' I'm waiting for that call!
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My favourite smell is the smell of cut grass, and the sound of sprinklers going on.
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This is what the media does with women. You try to divide and conquer women so you can intimidate and victimise them. This is why they don't make movies where a lot of women get to be on set together. It's about dividing.
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I think when you congratulate yourselves for diversity, that means nothing's really changed.
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The power of 'no' means you're educating people in how to treat you.
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My grandmother took me to a play, and... there was a little girl on stage. And as soon as I saw her on stage, I thought, 'This is my job'... I was probably, like, 7 or 8. I was very young... It was 'Joseph and the Amazing Technicolor Dreamcoat'.
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When 'Tree of Life' went to Cannes, all the interviewers were asking me about my favorite actors and actresses because I was new to the industry, and they wanted to get to know me.
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In the characters that I play, I'm so involved in the look; it's very, very important to me. Because how a person presents him or herself to the world, they're saying something about themselves. It's their first form of advertisement.
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Some people think I've had a nose job. I've never had anything like that done, but I have no judgement of anyone that does.
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No one ever recognizes me.
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For the most part, I was surprised by the representation of female characters onscreen. I do hope that when we include more female storytellers, we will have more of the women that I recognize in my day to day life.
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I love being around great actors and film-makers, and I try to hide the fact that I'm in awe of them.
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What can I do to create a healthy work environment? Because we have all been groomed to the normalization of violence and the normalization of abuse. And we refuse to live in that society.
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Okay, I'm going to let you in on a little secret: I'm a very superstitious person. I'm walking onto the plane as we speak. I'm putting my hands on the outside of the plane and my feet are on the lip of the plane. I have to do it every time before I fly.
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What I do now, when I'm taking on a film, I always ask about the fairness of the pay. I ask what they're offering me in comparison to the guy. I don't care about how much I get paid; I'm in an industry where we're overcompensated for the work we do.
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When I get a script that has the opportunity to create discussion and inspire young girls, I don't want to say no to that... I just want to contribute.
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I'm working hard to break free of stereotypes that the film industry has created and nurtured around women.
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I'm not taking jobs anymore where I'm getting paid a quarter of what the male co-star is being paid. I'm not allowing that in my life.
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Making films can be very lonely, and that's the part I don't like. I don't want to feel like I'm pressing 'pause' on my personal life to make a movie. I want to feel like I'm still creating relationships and things are moving forward.
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I'm so inspired by the women who are far braver than I am, who have come forward with their stories and risked everything to help others. What is important is that the voices of these women do not disappear. We must amplify them.
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I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker.
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For the longest time, people would say to me that I didn't feel very modern, that I seemed from another time.
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Funny how defined we are by how we present ourselves to the world.
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We have grown up watching women be used as props on a man's journey. It's not our fault that that's what we saw as children. But we need to acknowledge that and do better.