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Before, it was just about making the films - and now it's releasing them. Which is a steep learning curve.
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I've had to learn how to say 'no' to offers.
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There is this immediate connection, this intimacy when you're acting because there's no room to be polite or shy. Also, as an actor I get to connect with women I've never met before.
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Whatever anyone says, I think the opposite will happen.
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I don't want to be in my car all day. I love getting up in the morning in Venice and walking my dogs down to the cafe to get my tea, and then perhaps going to a bookstore and sitting and reading, then walking to the beach.
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I've actually been given a great gift. When I walk into an audition with a director, I'm carrying no baggage. They haven't seen me in anything, even though I've done nine films.
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Gian Luca and I have been together for such a long time, we're in it for the long haul.
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This is an industry rife with racism, sexism and homophobia. It is so closely woven into the fabric of the business that we have become snowblind to the glaring injustices happening every day.
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I like characters and stories that challenge the status quo. Lately, I'm really interested in history because I find that in my public school education, I didn't learn about women in history. I want to introduce the world to some great stories and incredible heroes.
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I look at all the ingredients of a film and say, 'Is this a positive thing that I'm putting into the world? Is there honor and respect in the way the story is being told about them? And would they approve of that?'
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I'm inspired by antiques. I look at things that have a wink to the past but are also reinterpreted in some way and made to feel modern... and maybe that's what I am.
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Being a woman has always been a powerful thing, where history has sometimes dictated otherwise, but I believe that a woman can be compassionate, sensitive, soft, kind.
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The reason we like acting is connecting to other people.
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I started a production company - all female led, actually - called Freckle Films.
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There have been situations where I have lost movies because I've said, 'This is not a fair deal,' and I've walked away.
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I was a dramatic kid. I remember, I was very young, and once I knew what I wanted to do I, like, created a theater company, and I would direct, and we would sell lemonade to buy props.
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When I first moved to Los Angeles, I don't think anyone knew what to do with me.
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I don’t want to torture anything. … it’s about trying to live a life where I’m not contributing to the cruelty in the world. … While I am on this planet, I want everyone I meet to know that I am grateful they are here.
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I went to public school, and I didn't do well in school. And it wasn't until, actually, I got into school at Juilliard - it was the first time in my life that I thought, 'Oh, maybe I'm not stupid,' because I was so inspired and passionate about what I was learning, and it was the first time in my life I had felt that.
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I find it very interesting: when 90 percent of the critics that review films are men, how is that helpful when trying to create stories from a feminine point of view?
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I am not one to go for traditional female roles, because I don't think traditionally female characters are very interesting, and I don't think they represent real life.
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There's a lot of criticism on how an actress is aging. Why do we do that with women? I work with a lot of men who take terrible care of themselves - they drink too much, or they eat too much. We need to allow women to age.
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I'm used to working really hard to get a role. I was always auditioning and talking my way into roles.
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I think that with any emotion - fear, love, nervousness - if the actor's feeling it, then the audience feels it.