Famke Janssen Quotes
In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
Quotes to Explore
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I used to believe I was going to live forever. And then you suddenly become aware that you're not.
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Nothing is certain in life but death and taxes. And in Donald Trump's case, lies.
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I shall strive not to be guilty of adding any fuel to the flames of hatred and passion which, if continued to be fed, promise to burn up whatever is left by the war of decent human feeling in Europe.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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I tweeted once, and I still stick to this, that I would love to marry a Croatian girl. I want my children to speak Croatian first, and for them to do that, we need someone who speaks very good Croatian.
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I'm not interested in closure. Some people just have heart attacks and die, right? There's no closure.
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SAP is a great company, but they have their work cut out for them if they want to compete in databases.
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For a writer, life is always too short to write. I will just try my best during what remains of my life.
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I have a dress-up chest at home. I love to create this fantasy kind of thing.
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Our goal is to build this up as a knowledge base that anyone can look at. We're not just interested in people answering their friends' one-off questions.
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I learned that the only way you are going to get anywhere in life is to work hard at it. Whether you're a musician, a writer, an athlete or a businessman, there is no getting around it. If you do, you'll win - if you don't, you won't.
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If you believe in God, He will open the windows of heaven and pour blessings upon you.
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Put me in a costume, and I'm your man. I must have one of those faces which seems to suit period drama more than modern films and TV programmes. But I'm not complaining, I love going back in time. I feel quite lucky because nobody knows who I am. I can walk about and have ordinary conversations with people.
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I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.
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Unending was the stream, unending the misery, unending the sorrow.
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Americans resident in China inform us that the ballot box in their country is greatly abused for personal ends, and Chinese admirers of the American Republic have not minutely examined its defects.
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There are some circumstances in which the First Amendment interest comes up against another interest that is really important and in which we have to make a decision in a particular case as to which is more important.
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The symbolic value of having an African-American president has certainly eased some racial tensions in America, but they're not gone.
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As for all those mistakes I make - they are on purpose - to teach you how to deal with them.
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The Chinese are really good at diplomacy - and even at making their interlocutors feel very uncomfortable.
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If people are able to run the affairs of a village well, eventually they'll be able to run a township, and a county.
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I was a political science major in college and dreamed of being a diplomat.
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I think my comedy, the put-downs I do to hecklers, are the accumulated bitterness of years of people feeling that it's perfectly acceptable to make a comment on your appearance when they don't even know you.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
