Bruce Kent Quotes
Quotes to Explore
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If I had a big brother who was a year older than me or something, I probably wouldn't have ended up being a filmmaker.
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If a man has money, it is usually a sign, too, that he knows how to take care of it; don't imagine his money is easy to get simply because he has plenty of it.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I actually have a fear of the water because I nearly drowned. I got caught in a rip tide, and I wasn't a good swimmer because that was when I was emigrating from England to Australia.
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Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.
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The director had come to Madrid to court me.
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After having children, life becomes about living beyond yourself; about being bigger and better.
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Though politics is by nature divisive, surely we all can agree that foster children need stability, safety, education, opportunity - and love.
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You're not supposed to be so blind with patriotism that you can't face reality. Wrong is wrong, no matter who says it.
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It's unacceptable to just sit on the couch and say I'm not doing anything. You've got to get out and do everything you can.
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A religion that takes no account of practical affairs and does not help to solve them is no religion.
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I think most people that are looked upon as doing something daring don't necessarily think of it that way-they do what they have to do.
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Most importantly, nothing has happened to change my conviction that freedom and the love of liberty remain the essential defining attributes of our national character as a people.
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Temperamentally I'm not a natural producer, because I don't have the patience.
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I haven't chosen any party yet because people choose parties when they get older. When it's time, I'll look, and if I can't find one to join, I'll make another party.
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Written and directed by French showman Georges Melies, 'Le Voyage' features one of the most indelible images in cinema history: the wounded Man in the Moon bleeding like a particularly runny Brie, grimacing in pain with a space capsule protruding from his right eye.
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IT is mere coincidence that Cooper was born in the year which produced The Power of Sympathy and that when he died Uncle Tom's Cabin was passing through its serial stage, and yet the limits of his life mark almost exactly the first great period of American fiction.
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I don't feel like I have to apologize for being a technophile, ever. Technology is awesome and lets me do so much. Nor do I feel like I have to apologize for loving my work.
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I worked at a movie theater in Tempe, Arizona, when I went to community college there. And I got fired because a sorority had rented out a theater to watch 'Titanic,' and they were being really rude to me while they were waiting for the movie. So as I tore their tickets, I told them the end of the movie.
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I believe that as an entertainer, you're only as good as your audience and the people who support you.
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And the insidious thing is that people will either see a movie because it did well last weekend or won't see it because it didn't do well.
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Stahr's eyes and Kathleen's met and tangled. For an instant they made love as no one ever dares to do after. Their glance was slower than an embrace, more urgent than a call.
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Some people are genetically programmed to be difficult.
