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After filming, I can't wait to shake off all that '50s primness. I'll go out to a gig and dance ridiculously. I love to lose myself in music. Just letting go - it's dead important.
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I have a lot of Breton striped top and silk shirts that always feel good. I also like things with a masculine edge and dislike anything too girly.
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Shoes are a good starting point. I've become quite fussy about them! A patent pair of Sonia Rykiel oxfords have become invaluable.
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I was always told at school I was posh, then I came to London, and here I'm told I have a country accent.
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The first time I had to hold a baby, I was really nervous, but I soon grew in confidence.
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I would like to explore comedy, I want to do more theatre, and I definitely want a future in film. I love science-fiction.
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I don't want to sound too bleeding heart, because I know how lucky I've been, but I never knew how hard it was to be the lead in a television show.
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I am not posh. I went to a comprehensive school.
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You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'
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I grew up just outside Hay-on-Wye, on the borders of Wales, on a farm. It was an amazing childhood, but I got a bit stir crazy when I hit my teens. There was the feeling of having to get out, you know, but it was definitely idyllic.
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My principal at RADA once told me, 'You'll know you're a professional when you don't feel like doing it but you have to do it.'
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It was a very idyllic childhood, surrounded by utterly beautiful landscapes that I got very, very bored of when I hit my teens. But being on your own a lot and being bored is good for your imagination. It makes it stretch.
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I'd love to do films, but I'd feel bad in my gut if I did anything just for the money. I want to wait for something I'm really passionate about, even if I don't work for a year.
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My fondest memories are of watching lambs being delivered.
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I think my dream would be to move into film, purely because there's a definite beginning, middle and end to a project. I struggle a bit with such a big series that's going all the time.
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I certainly love getting to know the babies if I'm going to be working with them.
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It's amazing what it opens up in women when you tell them you've just played a midwife.
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The most common place I get stopped by fans is the ladies'.
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I find that women want to tell me about their birthing experiences. In the most excruciating detail. It's not put me off having children, but I do feel like I know too much.
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My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage.
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I have a really adaptable face, but when I am just being me, people always think I am younger than I am.
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I've not stopped going on public transport. I love going on it.
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I always knew that the only thing I wanted to do was act, but it took me a long time to say it out loud to anyone, let alone myself. I am surprised by how dogged I have been in wanting to make a living as a respected actress.
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I would like to explore comedy, I want to do more theatre, and I definitely want a future in film.