Jessica Stockholder Quotes
Things have character. So I'm interested in how the character of the thing might function as a protagonist in what isn't a narrative.
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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The test of character is having the ability to meet challenges.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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I thought some of Mrs. White's material was prophetic. I felt some of her insights were extremely helpful and I regarded her as a sister in the Lord. I wasn't out to attack Ellen White's character.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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Character is supreme in life, hence Jesus stood supreme in the supreme thing - so supreme that, when we think of the ideal, we do not add virtue to virtue, but think of Jesus Christ, so that the standard of human life is no longer a code but a character.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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I think I enjoy working obviously as a lead, but also you know I feel I'm also a character actor as well, so I enjoy approaching various projects in all sort of capacities. Any film I have been able to do I feel very fortunate to have been a part of.
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With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
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As soon as I accomplish one goal, I replace it with another one. I try not to get too far ahead of myself. I just say to myself, 'All right, well, I'd like to headline a tour,' and then when I get there, we'll see what my next goal is.
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Can the circle be unbroken Bye and bye, Lord, bye and bye There’s a better home a-waiting In the sky, Lord, in the sky.
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Things have character. So I'm interested in how the character of the thing might function as a protagonist in what isn't a narrative.
