Jessy Schram Quotes
Quotes to Explore
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I don't understand why every guy is not a romantic. I enjoy it.
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I am a hopeless romantic and I love to spoil my girlfriends.
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You know how you can be romantic? You can be romantic by going to a beautiful setting, sitting on a park bench, and getting good ole-fashioned golden arches, a.k.a. McDonald's. That's probably the best I can do romantically.
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I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I'm not a romantic.
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I've always considered myself a fairly romantic person. I believe in love and falling in love at a young age.
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I'm not a big fan of romantic comedies, believe it or not.
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Rap culture is interesting and different and has purpose but it has a non-romantic view of life and of social feelings. There may be a void in that.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I like romantic comedy as a genre, but I think it can get stuck in its ways.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.
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I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
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The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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The whole westward expansion myth is seen as romantic. But it's a joke, a blot on American history.
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A man like Wilde was not free to live out of the closet as a homosexual, and women in general were not able to be truly themselves; there was no place for a woman's voice to be heard or for her to express her sexuality.
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I get tired of talking when I want to be silent.
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I'm like every other girl. I have to try really hard my whole life to try to be fit. And I'm super-vain.
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'Terrible' is not a word I would use in shooting romantic scenes with Scott Speedman.
