Jidenna Theodore Mobisson (Jidenna) Quotes
People thought 'Classic Man' was processed. But then they realized, 'Oh, this guy actually is that man, and he actually dresses like that.'
Quotes to Explore
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No one can occupy your generosity except you. Who can occupy your patience when impatience roars through you? Who except you can choose not to act with judgment when all of your thoughts are judgmental? Your life is yours to live, no matter how you choose to live it. When you do not think about how you intend to live it, it lives you.
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A film is made in somebody's head - out of their determination to do it at all.
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I'm a chubby middle-aged white guy with short hair. I think that's it, really. I kind of have a look. Right now, I'm not fat enough to be the fat friend, but I'm not thin enough to be the leading man, so I look like a cop.
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We fear to know the fearsome and unsavory aspects of ourselves, but we fear even more to know the godlike in ourselves.
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We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
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The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.
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If you want to wear long hair or wear that dress, as long as you're not hurting yourself or anybody else, I say do it. If you want to go out and have a romantic, sexy affair, do it.
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I don't know many people, if any, who have had some straight line toward success. I mean, they start here, they work hard, they've got what it takes, and they just go straight to the top over some number of years. Most people get a little failure.
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No matter how much technology changes scouting, no matter how much free agency and big TV contracts change the business of baseball, I hope and pray that the heart of the game will never change.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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Maybe clothes are a form of creative expression for me. An outlet. Because I don't get to express myself creatively through my official duties.
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Men go abroad to wonder at the heights of mountains, at the huge waves of the sea, at the long courses of the rivers, at the vast compass of the ocean, at the circular motions of the stars, and they pass by themselves without wondering.
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I live in a rural part of Virginia surrounded by farms and farmers.
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I've heard this before from people: early 20s kind of screws with your head a little bit because you're transitioning into adulthood and actually becoming an adult with responsibilities and paying bills. So all of a sudden, it's like you're responsible now.
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I just sing. You have to use it.
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I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
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I talk about Beyonce too much. I am a diehard.
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I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
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I would love to go to film school.
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When I was kidnapped as a child my parents sent a letter to the hijackers me Pay 5,000 dollars or your back.
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I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply?
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You can't expect drive and compassion from everyone who enters your life, but you have to demand it of the people you are creating with.
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People thought 'Classic Man' was processed. But then they realized, 'Oh, this guy actually is that man, and he actually dresses like that.'
