Jim Crace Quotes
The most I have to fear while hiking in Warwickshire and Worcestershire, the two historic British counties closest to my city home in Birmingham, is whether or not the mud awaiting me in the narrow lanes ahead is deep enough to foul my socks.
Quotes to Explore
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There is more refreshment and stimulation in a nap, even of the briefest, than in all the alcohol ever distilled.
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I have to remember that winning an Oscar is an almost unbelievable goal and that it is an honour just to be nominated.
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People have been doing this for hundreds of thousands of years: using whatever is available to build shelter. If you ponder what could be used, then building materials are everywhere.
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The thing about motor neuron disease, once a muscle stops working, it doesn't start again.
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I was a child of a tech family. My grandfather was a nuclear physicist and was always a gadget guy.
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I don't look at myself as suffering.
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I was looking for what was coming from a man's soul and a man's conviction. I didn't care about his past. If it was innate and natural and felt good to him and it communicated.
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I'm lucky in some ways in that I really don't need more than five or so hours of sleep.
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We are God's creation, and we have a responsibility to keep ourselves at our best.
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No one has ever raised capital because their pitch deck was pretty. A lot of people have raised capital because they were over-prepared, knew where their business was going, and were able to articulate that through a pitch alongside a pitch deck.
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I get more fulfilment from being a father than I do from being an actor.
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In fiction, a reaction shot is a brief portrayal of how your character reacts to something that someone else has done. In contrast to more direct character building, your guy doesn't initiate the sequence; he completes it. Exactly how he completes it can tell readers a lot about him.
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Do something because you really want to do it. If you're doing it just for the goal and don't enjoy the path, then I think you're cheating yourself.
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We're in this entertainment business really to give the audience what they want.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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Someday, I have no doubt, the dead from today's wars will be seen with a similar sense of sorrow at needless loss and folly as those millions of men who lie in the cemeteries of France and Belgium - and tens of millions of Americans will feel a similar revulsion for the politicians and generals who were so spendthrift with others' lives.
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Van Gogh never made a penny in his entire lifetime. He painted because it was his soul, his excitement. It was what aligned him with his Source of being. It's the same with me and writing.
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New Zealand's Daniel Vettori is a very good bowler.
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We deliberately used elements from Brazilian music and from African and Asian music. Now people can hear that but then it sounded so abstract, they couldn't hear it.
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Chicago has a burly, action-oriented but still self-assured and relaxed confidence to its stride. The city has a lot of wide-open space and all the possibilities that suggests. There's a lot of horizontal grandeur here.
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Tackling one thing at a time, I have managed better than I would have thought possible.
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'The Living And The Dead' is one of those scripts that you read and are instantly compelled and engaged by. It's intelligent, chilling, and engrossing.
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People say Altamont was the end of the 60s. It was unfortunate, but at the time we didnt think of it as signaling anything. The fact that nobody got killed at Woodstock is amazing because that was half a million people. We only had 300,000 at Altamont.
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The most I have to fear while hiking in Warwickshire and Worcestershire, the two historic British counties closest to my city home in Birmingham, is whether or not the mud awaiting me in the narrow lanes ahead is deep enough to foul my socks.
