Bruce Vilanch Quotes
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Every single line on the Oscar show is negotiated. Unless you've been there, you have no idea how it is put together. It's like nothing else on earth. I'm writing a book about it, but I have to throw in my sexual escapades to make sure it sells.
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Who knew we had all this O.C.D. in the world? Well actually, I suppose it's pretty obvious. It explains Sudoku, doesn't it?
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My assistant says I'm an eBay auction waiting to happen. I have a very large collection of T-shirts... about 4,000 now. Maybe I'll pillage it someday. I have resisted the offers to do a line of T-shirts.
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It's the biggest party in the world, and you have to keep the whole thing percolating, which is difficult because a lot of awards most people don't care about.
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I've written about 15 screenplays and they all sold - they were all sold on pitches.
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Musicals have clearly gotten more physical. You never saw Ethel Merman doing step aerobics.
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I have one rave 'New York Times' review framed next to a flop 'Los Angeles Times' review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
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As I'm always fond of telling hosts at the Oscars who are doing it for their first time, for everybody who wins, there are four people who don't. As the evening wears on, the room fills up with losers, and then they are bitter.
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The Oscars are about the dynamics of that moment, of that season. It reflects what's been going on in the world every year through the movies. And a lot of times, what's popular at the movies is popular because of what's going on in the world at that moment.
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I've learned that most of gay America is coupled up, or looking to be. No wonder gay marriage has such traction. So many of us are already in it, so of course we want the legal benefits.
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Eddie Izzard is absolutely brilliant. I would love to write something for him.
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They make a humongous profit, but the people that work on the shows don't get paid a lot because they're working on the Oscars show. It's the biggest show in the world.
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I write screenplays that don't get made and pilots that don't get picked up, and I re-write other people's movies, and those are all different kinds of fees.
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Generally with the Oscars or the Emmys there isn't much you can do until the nominations are announced. Then you know what kind of year you're dealing with - what's been overlooked, what the issues are.
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When AIDS hit, lots of people banded together to take care of each other and do what the government wasn't doing. When you grow up Jewish, as I have, you learn that everybody hates you, no one's going to help you, and you have to take care of yourself. That's a great maxim to the gay community, and we took it to heart; we took care of our own.
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I think I intimidate hecklers because I weigh more than most of them.
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I do a lot of screen re-writing.
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I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee.
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I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
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My skirt fell off on stage during a performance of Hairspray on Broadway, revealing my fat suit over my own natural fat suit. I turned to the audience and said, 'Now you know why I spent six years in a square.'
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What makes me laugh? Richard Nixon always made me laugh.
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Of course I adored and wanted to be Catwoman. That goes without saying.
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I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
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For years, I was compared to Wookiees, especially after I did the 'Star Wars Holiday Special.' I have some photos of me with a few of the Wookiees on the set, and it's hard to tell us apart.