Bruno Maag Quotes
When we design for non-Latin, we always aim to create a rhythm and texture that is sympathetic so when you have the two scripts running side by side, they create, ideally, the same tonal value on the page.
Quotes to Explore
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I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
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I think good companies can navigate being public and doing the right things for their customers.
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Bondage is - subjection to external influences and internal negative thoughts and attitudes.
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MTV didn't call. I guess I wasn't hip and groovy enough.
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I think personal beliefs of everybody shape everybody.
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There's this really good line in 'Women in Love' where Ursula says, 'I always thought it was a sin to be unhappy.' And actually I think that's very common, it's what a lot of people feel - that you have an obligation to life to be happy if you can.
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Is anything, in all respects, so influential as consideration? Does it not, by a kindly anticipation, create the divisions of the active life itself, in a manner rehearsing and arranging beforehand what has to be done?
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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To tell you the truth, I don't really follow what men wear. Men's fashion is much simpler than women's. It doesn't change as much.
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Don't worry about Yemen. Yemen started in peace, and it will end its revolution in peace, and it will start its new civil state with peace.
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To play four hands requires two people who have great affinity for each other.
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I think many people are finding things I do very funny and strange.
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An improv team would have eight guys and one woman; that was still pretty standard. If you were a woman improviser, it was actually kind of an advantage because, if you were halfway decent, you'd get a lot more stage time.
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I don't know if anybody wants to mix their politics with their entertainment.
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'The Da Vinci Code' is the most popular book of our times.
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This whole notion of a post racial America was nonsense from the very beginning. It was a bad idea, a bad notion, a bad formulation when it was first raised.
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I've been the best player on every team that I played on, so if I can't be the poster child of your team, then what else is it? It's got to be a black-white issue. Every white player I know who's the best player on their team is the poster child of that team.
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I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
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Probably all the attention to poetry results in some value, though the attention is more often directed to lesser than to greater values.
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Of course, 'The Last Stand' has a villain who is traveling to the border to fulfill his own desires, but it's more about the main character. The Sheriff putting a stop to this villain and defending his town. 'The Last Stand' is more about protecting something. About protecting a value.
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The family feuds or the village feuds often had to do with an idea of honor. Perhaps it was a peasant idea; perhaps this idea of honor is especially important to a society without recourse to law or without confidence in law.
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Every community has crime and violence; it's a part of being human. This idea that black communities are more violent than others is just false. But black folks fight the hardest for our communities. Before governments do, before other people do, we're the first ones to show up. We are the first ones to fight for our lives.
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I wanted to be in 'The Emerald Forest.' I chased that one for six months before it all came about. I wanted to work with John Boorman!
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When we design for non-Latin, we always aim to create a rhythm and texture that is sympathetic so when you have the two scripts running side by side, they create, ideally, the same tonal value on the page.
