Peter Capaldi Quotes
Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'

Quotes to Explore
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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In Cuba, I would start the first two months hitting around .260 with three or four home runs. After the first half of the season, I would get hot, and that's when I would have my best results.
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By the time I was 29 I'd spent eight years with someone else's group of friends. I had no idea what it was like to be a woman with mates of her own to socialize with.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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We want to see Israel withdraw from our territory. But we don't want to be accountable vis-a-vis Israel on the security basis, because we don't see, in the absence of a peace agreement, that Lebanon can really be accountable to Israel if anything happens.
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Whether people be of high or low birth, rich or poor, old or young, enlightened or confused, they are all alike in that they will one day die.
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I'm not going to be a ten or twelve grand-slam winner. It's not going to happen.
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There should be a minimum on the air pressure but not a maximum. Every game, they're taking air out of the footballs I'm throwing, and I think that's a disadvantage for the way that I like them prepped.
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My awkward stage extended well into high school.
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I have been in more classrooms than any legislator will ever walk into in their lives, and I see wonderful, caring, dedicated teaching out there.
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I always read the translator's draft all the way through - a very laborious business.
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The teaching thing, the one where I have to impart my knowledge, is probably what comes the least naturally to me because I'm an absorber of things.
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It's sort of like, our bodies are designed to keep moving, and when we don't move it, we're not going to feel great.
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It's the story of New York. Storefronts change and languages change, but at the end of the day, people come here to find opportunity like my family did.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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It's probably fair to say that the ratio of time our Connector developers spend in the debugger versus the Emacs buffer is higher than with most software.
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The problem with working under an outside label is that your music never seems to reach the right people.
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While it can feel unfair to have to make a career decision because of a morally deficient boss, doing so can sometimes lead you in the right direction, if a bit faster than you otherwise would have preferred.
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That's my mission: to make you feel something.
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I have a cameo in every movie. In '50/50,' I'm in the back of the bus.
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I was fantastically well versed by the time I left school. I had a teacher who put 'A Clockwork Orange' my way, and 'Catcher in the Rye.'
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People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.
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The strength of the vampire is that people will not believe in him.
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Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'