Bryan Fogel Quotes
The routines of any ethnic comic - Eddie Murphy or George Lopez, for example - would not work if they were performed by anybody outside the group. The same routines would become arrogant and racist.
Quotes to Explore
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I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.
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To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!
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I always knew I would make the record that I made in 'Carter Girl.'
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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I watch 'Entourage.' I aspire the good life that they live and lead. Honestly, I am just trying to be me by trying to do good films, have fun at it and trying to work with good directors, and, of course, I am a bit of a silent party boy, also. I have my share of fun sometime, too.
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If past history was all there was to the game, the richest people would be librarians.
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I was about five years old when I was eating soup in our kitchen, and as I was lifting the spoon towards my mouth, it bent and broke in half.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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If you feel bored or uncomfortable as you're writing, ask yourself what's bothering you and write about that. Sometimes your creative energy is like water in a kinked hose, and before thoughts can flow on the topic at hand, you have to straighten the hose by attending to whatever is preoccupying you.
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I want to have a long career.
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It was hard for me to hear anyone saying they didn't like 'Billy Madison.'
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National partition is a sorrow that touches all Koreans, but for me it is brought to the fore by unimaginable personal suffering.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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Absence of evidence is not evidence of absence.
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Only the old are innocent. That is what the Victorians understood, and the Christians. Original sin is a property of the young. The old grow beyond corruption very quickly.
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Any beast can cry over the misfortunes of its own child. It takes a mensch to weep for others' children.
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THE GODS was my first professional band and I learned a lot during that time. It was very cool playing with so many great musicians as it helped me to learn.
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I'm very hard on myself. I think that drives me because I don't want to let people down or let myself down. That fear of failing drives me from being complacent.
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I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
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There are wars being fought! Who cares what I'm doing on a Saturday night? I'm not even a celebrity.
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I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.
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The routines of any ethnic comic - Eddie Murphy or George Lopez, for example - would not work if they were performed by anybody outside the group. The same routines would become arrogant and racist.
