Jim Gaffigan Quotes
There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.
Quotes to Explore
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For nearly a century and a half, this country deluded itself into thinking that its greatest calamity, the Civil War, had nothing to do with one of its greatest sins, enslavement. It deluded itself in this manner despite available evidence to the contrary.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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Black-and-white always looks modern, whatever that word means.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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In Men in Black, it was a very small character, no pun intended.
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I act because it's the one time I'm sure of my identity. There's no doubt. It's on paper.
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People say, 'Oh, politics is so polarized today,' and I'm thinking... '1861, that was polarized.'
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Thinking fragments reality - it cuts it up into conceptual bits and pieces.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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I do not need any cheerleaders at my moot court. And I cannot imagine walking into that Court without the preparation of a few vicious moot courts; it is critical to the development of my thinking.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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When I started modeling, they tried to pay black models less than they paid Caucasian models. I turned down those jobs because I knew what I was worth.
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It takes ground activity to stimulate that Black vote.
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I come from an acting family, my father was an actor, and I had to fight my way and just create my own identity.
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My father died in France, and my sisters and I went over with my mum to bring back his body. I remember going to the funeral parlour in France and being given a laminated menu of coffins, and thinking, surely there is an ice cream at the back of here!
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The Self is self-luminous without darkness and light, and is the reality which is self-manifest. Therefore, one should not think of it as this or as that. The very thought of thinking will end in bondage.
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I pray to God I get inside a girl's head one day and see what in the WORLD they are thinking.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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Both my parents are professors, and I never really saw people do any other jobs, so I didn't really know how to want a different kind of job.
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I would have a workshop attached to every school, and one hour a day given up to the teaching of simple decorative arts. It would be a golden hour to the children.
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I think, to give our bookshelf a little credit, our area of the library and the bookstore has attracted stronger writers as it's started to thrive.
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There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.
