Jim Gaffigan Quotes
Quotes to Explore
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To grow up knowing you're loved is astounding. It's a huge gift to a child.
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I don't remember anybody's name. How do you think the 'dahling' thing got started?
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I hadn't planned to be a model. It just happened by pure chance. I went to a beauty school with my sister, and I got discovered pretty late. I was discovered when I was 20-21.
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Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison.
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Not everyone can be successful selling fashion at $25,000 for a wedding outfit. Certain designers are able to do that. And there is only a certain amount of consumers who can do that. The real opportunity is in that $25 garment.
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But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.
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Winning, you can overlook so many things.
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My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
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Woman begins by resisting a man's advances and ends by blocking his retreat.
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Patients who trust their doctors and have a psychological expectation of getting better could trigger a reaction in their body.
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My life is better with every year of living it.
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Warwick Davies is a cracking actor. The opening scene in the last 'Harry Potter' film, where he plays a captured Griphook, is mesmerising. His pacing is sublime, and the menace and regret he builds into the scene is fantastic.
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I like to build a character, trying to stretch my imagination as far to the walls of my brain as I can to come up with something that feels truthful and feels real - as close to the skin as I can get it.
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I've been through a lot. I've thought a lot about life, and I've spent a lot of time studying history and science.
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I used to teach animation history classes at the University of Texas, and I wrote my master's thesis on cartoons. I just love cartoons.
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If you start trying to figure out yourself from the image everyone has of you, you run into a dead end.
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I feel that I can't do certain things that have sent to me, scripts, because I think that really - I've been June Cleaver for so many years, because we went back, you know, and we did - 20-year hiatus we had - and we went back and made 105 new ones. And so I really feel very strongly that there are certain things I won't do.
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I have always thought that the place where you sleep or the place you share with your partner should be separate from the place where you write. The domestic rituals and details somehow kill the imagination. They kill the demon in me.
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When studios start telling me why a particular film project won't work, I remember 'Rocky.' I remember that the biggest success Bob Chartoff and I have had was a film nobody wanted to make.
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I'm a shocker. I like to create controversy. It's my trademark.
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Winter came and the city [Chicago] turned monochrome -- black trees against gray sky above white earth. Night now fell in midafternoon, especially when the snowstorms rolled in, boundless prairie storms that set the sky close to the ground, the city lights reflected against the clouds
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I didn't feel anything watching him go. I didn't even wish I did.
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I used to conduct the last opera in Berlin on Sunday, get on a plane on Monday to Chicago, and start a rehearsal that same night, if it was a performance week.
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I grew up 45 minutes outside of Chicago.