James Edward Olliges Jr. Quotes
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You spend all day getting the song goo,d and you're listening to it late at night, and you're happy with it. But you should sleep on it and come back in the morning and make sure.
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I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.
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My aunt played upright bass in the Louisville Orchestra, and I was always really impressed by her musical ability. I found it really fascinating as a kid that one could play music for a living.
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I just think meditation is so important because it gives you a chance to see what's going on in your brain.
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I think probably the first time I recorded anything was mid-2010.
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Youth is wasted on the young. And it doesn't even matter if you sit a young person down and tell them, 'You're so healthy, take advantage of it before it's gone!' They still can't hear it.
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I love the thrill of putting on a record and feeling like you got the wrong one from the factory.
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I'd write songs like 'One Big Holiday,' and we'd play it and say, 'It's too heavy for 'At Dawn.' Let's save it for the next one.' We had more time for that, but when you mix a song, the general rule of thumb for us is a song a day or usually a day and a half.
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If you're reissuing something, it's important to have demos and everything else from that time that wasn't used.
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I've never stared out at the ocean while I've made a record before - that enhances things in a strange way.
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We should always be trying to tear down the walls and say, 'I'm no different than you.'
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'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
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All the Southerners think we're Yanks, and all the Yanks think we're Southerners, and all the Midwesterners think we're East. Everybody's always wrong about Louisville. That's kind of why I love it so much.
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I feel like I've paid a really heavy cost, a really heavy physical health cost, for the years of touring and how physical I've been onstage.
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You want to make a record that stands the test of time and that people enjoy.
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The band can't exist without the crowd, and the crowd wouldn't be there if it wasn't for the band, and it really is something magical that people need.
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Ever since I got back surgery, everything in my life has been about reduction. I've got the lightest backpack I can carry and the lightest MacBook.
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I just love being in the studio, and that's kind of what I do when I'm not on the road. I'm just in the studio messing with stuff, and I love playing all the instruments.
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I grew up on, and kind of came of age, during the grunge movement and was introduced to Neil Young and Bob Dylan and grew up on that path.
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One thing I've learned is that the best thing a producer can do is help you be you.
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I feel like the 'Supernova' record, those songs are very me. It's a more honest representation of me than any record I have made prior to that.
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It's really important to be free and be open and honest about the things you want to do. Just 'cause you want to make a solo record or another record with another band, it doesn't have to be an insult or a slight to the band you've been with for a long time.
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When people are recording, and they're like, 'I want to get the drum sound of the Beatles,' I hate that.
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Moving and motion tends to make things pop up. But things pop up for me, really, at just odd intervals or at random times that aren't really convenient, so I'm a big fan of the voice memo recorder on my phone. That's the only way I can remember things.