James Edward Olliges Jr. Quotes
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You spend all day getting the song goo,d and you're listening to it late at night, and you're happy with it. But you should sleep on it and come back in the morning and make sure.
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We should always be trying to tear down the walls and say, 'I'm no different than you.'
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I love making each record sound different.
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The band can't exist without the crowd, and the crowd wouldn't be there if it wasn't for the band, and it really is something magical that people need.
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I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.
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Youth is wasted on the young. And it doesn't even matter if you sit a young person down and tell them, 'You're so healthy, take advantage of it before it's gone!' They still can't hear it.
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My aunt played upright bass in the Louisville Orchestra, and I was always really impressed by her musical ability. I found it really fascinating as a kid that one could play music for a living.
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All the Southerners think we're Yanks, and all the Yanks think we're Southerners, and all the Midwesterners think we're East. Everybody's always wrong about Louisville. That's kind of why I love it so much.
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I just think meditation is so important because it gives you a chance to see what's going on in your brain.
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I grew up on, and kind of came of age, during the grunge movement and was introduced to Neil Young and Bob Dylan and grew up on that path.
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One thing I've learned is that the best thing a producer can do is help you be you.
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I think probably the first time I recorded anything was mid-2010.
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Ever since I got back surgery, everything in my life has been about reduction. I've got the lightest backpack I can carry and the lightest MacBook.
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I'd write songs like 'One Big Holiday,' and we'd play it and say, 'It's too heavy for 'At Dawn.' Let's save it for the next one.' We had more time for that, but when you mix a song, the general rule of thumb for us is a song a day or usually a day and a half.
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I feel like modern country is deliberately dumbing down the human race. They're deliberately making people take glory in being uneducated and racist, and it's just sad. I think it's absolute mind control.
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If you're reissuing something, it's important to have demos and everything else from that time that wasn't used.
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I love the thrill of putting on a record and feeling like you got the wrong one from the factory.
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I've never stared out at the ocean while I've made a record before - that enhances things in a strange way.
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I like to be productive - it's very hard for me to go on vacation because I just feel like I'm losing time.
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'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.
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It's really important to be free and be open and honest about the things you want to do. Just 'cause you want to make a solo record or another record with another band, it doesn't have to be an insult or a slight to the band you've been with for a long time.
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When people are recording, and they're like, 'I want to get the drum sound of the Beatles,' I hate that.
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I feel like the 'Supernova' record, those songs are very me. It's a more honest representation of me than any record I have made prior to that.
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You want to make a record that stands the test of time and that people enjoy.