Jimmy Iovine Quotes
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
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Fundamentals make the market.
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When I think about atheist friends, including my father, they seem to me like people who have no ear for music, or who have never been in love.
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At one point I thought changing my name might help with privacy, but that was before the Internet.
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I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
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I definitely use my music to kind of alleviate my stress and get me through specific moments in time where I'm just being really tough on myself.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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I've always been singing all my life, but I started playing guitar when I was 19, and that was my final year in university, in law school. I think that happened when I started making a lot of friends who were in the independent music scene.
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Billy Joel is an incredible musician. He just feels like one of the guys, you know. I grew up listening to his music.
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My parents were quite strict; we couldn't just listen to whatever music we wanted. It was very much like they monitored what we listened to.
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I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
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From a very young age, music was very much in my house. I would sit with my mom, with the old LPs, listening to The Beatles and Carly Simon and Lionel Richie. The old LPs used to have the lyrics. From there, I would put on dance and music displays for my family, just to entertain them and make people laugh and smile.
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Music is what our feelings sound like.
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I think listening to real classic soul material made me learn how to feel music that's sung.
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I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.
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What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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'The Bone Season' is violent. There's sex. My little brother keeps asking to read it, and he's 9, so I'm like, 'No, it's not happening.'
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I've since become really good at overwhelming myself.
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Everybody makes mistakes.
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Apple Music is about getting things early and pushing them out.