Max Beckmann Quotes
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
Quotes to Explore
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In the mid-1990s, when Russia was undergoing a construction boom, I entered the real estate development market.
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Real education enhances the dignity of a human being and increases his or her self-respect. If only the real sense of education could be realized by each individual and carried forward in every field of human activity, the world will be so much a better place to live in.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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I think with girlfriends, you always want your girlfriends to make the decisions for themselves, not based on a boy, not based on anything other than, 'Is this what you want?' Is this you know what you want to do?' And that's real support to me.
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A story never looks as good as when the other fellow buys it.
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I was always a real athletic kid. Then when I got older, I just figured it was part of life to keep training.
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I will keep painting until I die.
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I grew up with Apocalypse Now and Badlands, so I had a real awe thing going.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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The talk about balance, nuclear balance, seems to me to be metaphysical and doesn't seem to be real at all.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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Sometimes you're going to have someone on your team who's just not comfortable with being open. You have to ask yourself, 'Is this person going to allow us to be a real team?' Maybe they're not right for your team. You have to be willing to lose someone sometimes.
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I was raised in the Baptist church... but I didn't really have a real committed experience with Christ until my father died.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Authentic power is the real deal. You can't inherit it, buy it, or win it. You also can't lose it. You don't need to build your body, reputation, wealth, or charisma to get it.
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When I talk football with my friends, I don't talk about Tom Brady's hair. I talk about how he handles the blitz, or how he runs his offense. I talk as a fan. I don't want pink jerseys, and I don't want dumbed-down content. I want to be treated as a real fan - because I am proud to be one.
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Real love is a permanently self-enlarging experience.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
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You moon the wrong person at an office party and suddenly you're not 'professional' any more.
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I see kids today trying to do the things I did, and it makes me feel like I've come a long way.
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I was classically trained. But more than just the fact that I play violin, there's a lot of classical elements in the way I write, in the way I hear chords. A lot of times, I think of my songs as a symphony made out of electronics rather than instruments. And I love to do orchestral arrangements of my songs after they're done.
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I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
