Max Landis Quotes
'Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se.
Quotes to Explore
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Many miles away there's a shadow on the door of a cottage on the Shore of a dark Scottish lake.
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I made my first movie when I was five.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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If you learn the craft, you can make a movie and get by with tricks.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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To my mind, there is no doubt that this Gandhi age is the dark age of India. It is an age in which people, instead of looking for their ideals in the future, are returning to antiquity.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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It would be great to make a movie that had the style of a great '30's film.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
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There's some real dark days where you just feel like the story is falling apart in every one. Just keep moving forward, even when you are bluffing, even when you don't quite know what is going to happen next.
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I did 'Impromptu,' which was a thrill and a horror all at once - my first movie and having to do it in Paris, and my wife wrote it, and I had some difficulties on the set, blah, blah, blah.
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I think that if your approach is one where you don't want to alienate anybody, you're going to have to soften the viewpoint or the information that you're offering to such an extent that it doesn't have the power to make any difference. You have to take that risk.
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It's just a natural progression. You're a player, then you're a coach, then you're general manager for the team, and then the next logical step for me and you would be [to become] team owner.
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Rock and roll doesn't necessarily mean a band. It doesn't mean a singer, and it doesn't mean a lyric, really. It's that question of trying to be immortal.
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Since God created the world, He also created reality.
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'Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se.
