Max Landis Quotes
'Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se.
Quotes to Explore
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Many miles away there's a shadow on the door of a cottage on the Shore of a dark Scottish lake.
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I made my first movie when I was five.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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Brad Pitt is a dude who just wants to make good movies. He's not afraid to surround himself with the greatest actors, which I always appreciate because I've also seen actors who only want to surround themselves with weak actors because it makes them look better. That ends up making a poorer movie.
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If you learn the craft, you can make a movie and get by with tricks.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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To my mind, there is no doubt that this Gandhi age is the dark age of India. It is an age in which people, instead of looking for their ideals in the future, are returning to antiquity.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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It would be great to make a movie that had the style of a great '30's film.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I think all kids are curious. They're drawn to the bad guy and they're drawn to things that are dark. It's not just simply a desire to be wicked. I think there are things that frighten us in life and, especially children, they want to understand and take it on or understand it so it frightens them less.
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The civil service can never be placed on a satisfactory basis until it is regulated by law.
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I think my dream would be to move into film, purely because there's a definite beginning, middle and end to a project. I struggle a bit with such a big series that's going all the time.
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I wrote a play that I directed and I was in, and I paid for the sets and the costumes and to put it up in a theater all through modeling. It really afforded me a lot of creative control in my life.
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Accountants, machinists, medical technicians, even software writers that write the software for 'machines' are being displaced without upscaled replacement jobs. Retrain, rehire into higher paying and value-added jobs? That may be the political myth of the modern era. There aren't enough of those jobs.
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'Pied Piper' came to me all at once; I wanted to do a fairy-tale movie with some edge, but not 'dark,' per se.
