Patty Berg Quotes
Quotes to Explore
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I grew up in the Bronx, but in Riverdale - not exactly an area of New York that's known for being rough and tumble.
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I learned that kids in show business are so different from regular, average students. They would gather behind you and help you to succeed in any way possible.
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For me, what I really want to come out of it is to show people that I can hold together a movie, be the number one character and play someone who is twenty or twenty-one.
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I love Canada. Canada is a great neighbour. Canada has been a great friend and neighbor for many, many years.
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Before marriage, many couples are very much like people rushing to catch an airplane; once aboard, they turn into passengers. They just sit there.
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In a marketplace where it's so easy to produce products, where your competitors can essentially match you on the product itself, you need to have something else. You need to have an added value, and that added value is the identity, the idea behind your brand.
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It doesn't matter what country or what political system you are from. Space brings you together.
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There's no harm being a copycat. If someone else is doing a good job, copy. It's free.
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The piece that had a large influence on me was Turangalila.
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I live on the water. I live in a neighborhood that's consummately connected to my neighbors. I bump into them every day. I can bike to work.
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I grew up being into sports and I wasn't trained to move my body in the right way for dancing. I'm the last one to get any moves correct. In rehearsals it's always, 'OK, one more take for Zac.'
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I said these trade deals are going to be terrible: we're going to lose manufacturing jobs, factories abroad; the real wages of Americans are not going to rise. People are coming across the border; it has got to be stopped.
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The rule of the game was never assume that anybody, however honorable, would be able to stand up under torture. If Mr. X, who knew where I was, was caught for some reason, I should move.
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I don't believe that a hydrogen economy depends on a carbon economy at all.
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I've been writing since I was about thirteen but didn't start a book until 2007. I spent four years writing a sci-fi novel before I wrote 'The Bone Season' at nineteen.
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I don't think I will ever mellow out. I think if you mellow out, you get eaten up. You become like a commodity. So I don't think I will mellow out. It is not in my blood.
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Long hours of labour seem to be the secret of the rational and healthful processes, which are to raise the condition of the labourer by an improvement of his mental and moral powers and to make a rational consumer out of him.
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What about our children and grandchildren and their children and grandchildren? Do we not want them to live healthy and happy lives?
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The reviewer always has hold of the wrong horror.
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I suffer for my art and despise the witless moneyed scoundrels who praise it.
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I have this strange notion that clothes should be fun.
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I consider my education to be the first 10 years of my career.
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It's a wonderful day for me, I made it to 80.
